The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
Many hours, much labour and anxiety of mind, Mrs. Berry had expended
upon this breakfast, and why? There is one who comes to all feasts that
have their basis in Folly, whom criminals of trained instinct are
careful to provide against: who will speak, and whose hateful voice
must somehow be silenced while the feast is going on. This personage is
The Philosopher. Mrs. Berry knew him. She knew that he would come. She
provided against him in the manner she thought most efficacious: that
is, by cheating her eyes and intoxicating her conscience with the due
and proper glories incident to weddings where fathers dilate, mothers
collapse, and marriage settlements are flourished on high by the family
lawyer: and had there been no show of the kind to greet her on her
return from the church, she would, and she foresaw she would, have
stared at squalor and emptiness, and repented her work. The Philosopher
would have laid hold of her by the ear, and called her bad names.
Entrenched behind a breakfast-table so legitimately adorned, Mrs. Berry
defied him. In the presence of that cake he dared not speak above a
whisper. And there were wines to drown him in, should he still think of
protesting; fiery wines, and cool: claret sent purposely by the
bridegroom for the delectation of his friend.
For one good hour, therefore, the labour of many hours kept him dumb.
Ripton was fortifying himself so as to forget him altogether, and the
world as well, till the next morning. Ripton was excited, overdone with
delight. He had already finished one bottle, and listened, pleasantly
flushed, to his emphatic and more abstemious chief. He had nothing to
do but to listen, and to drink. The hero would not allow him to shout
Victory! or hear a word of toasts; and as, from the quantity of oil
poured on it, his eloquence was becoming a natural force in his bosom,
the poor fellow was afflicted with a sort of elephantiasis of
suppressed emotion. At times he half-rose from his chair, and fell
vacuously into it again; or he chuckled in the face of weighty,
severely-worded instructions; tapped his chest, stretched his arms,
yawned, and in short behaved so singularly that Richard observed it,
and said: “On my soul, I don’t think you know a word I’m saying.”
“Every word, Ricky!” Ripton spirted through the opening. “I’m going
down to your governor, and tell him: Sir Austin! Here’s your only
chance of being a happy father—no, no!—Oh! don’t you fear me, Ricky! I
shall talk the old gentleman over.”
His chief said:
“Look here. You had better not go down to-night. Go down the first
thing to-morrow, by the six o’clock train. Give him my letter. Listen
to me—give him my letter, and don’t speak a word till he speaks. His
eyebrows will go up and down, he won’t say much. I know him. If he asks
you about her, don’t be a fool, but say what you think of her
sensibly”—
No cork could hold in Ripton when she was alluded to. He shouted:
“She’s an angel!”
Public-domain text, read in full here on John Shaqi.
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