The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
Music was proposed. There are times when soft music hath not charms;
when it is put to as base uses as Imperial Caesar’s dust and is taken
to fill horrid pauses. Angelica Forey thumped the piano, and sang: “I’m
a laughing Gitana, ha-ha! ha-ha!” Matilda Forey and her cousin Mary
Branksburne wedded their voices, and songfully incited all young people
to Haste to the bower that love has built, and defy the wise ones of
the world; but the wise ones of the world were in a majority there, and
very few places of assembly will be found where they are not; so the
glowing appeal of the British ballad-monger passed into the bosom of
the emptiness he addressed. Clare was asked to entertain the company.
The singular child calmly marched to the instrument, and turned over
the appropriate illustrations to the ballad-monger’s repertory.
Clare sang a little Irish air. Her duty done, she marched from the
piano. Mothers are rarely deceived by their daughters in these matters;
but Clare deceived her mother; and Mrs. Doria only persisted in feeling
an agony of pity for her child, that she might the more warrantably
pity herself—a not uncommon form of the emotion, for there is no
juggler like that heart the ballad-monger puts into our mouths so
boldly. Remember that she saw years of self-denial, years of a ripening
scheme, rendered fruitless in a minute, and by the System which had
almost reduced her to the condition of constitutional hypocrite. She
had enough of bitterness to brood over, and some excuse for self-pity.
Still, even when she was cooler, Mrs. Doria’s energetic nature
prevented her from giving up. Straws were straws, and the frailer they
were the harder she clutched them.
She rose from her chair, and left the room, calling to Adrian to follow
her.
“Adrian,” she said, turning upon him in the passage, “you mentioned a
house where this horrible cake...where he was this morning. I desire
you to take me to that woman immediately.”
The wise youth had not bargained for personal servitude. He had hoped
he should be in time for the last act of the opera that night, after
enjoying the comedy of real life.
“My dear aunt”...he was beginning to insinuate.
“Order a cab to be sent for, and get your hat,” said Mrs. Doria.
There was nothing for it but to obey. He stamped his assent to the
Pilgrim’s dictum, that Women are practical creatures, and now reflected
on his own account, that relationship to a young fool may be a vexation
and a nuisance. However, Mrs. Doria compensated him.
Public-domain text, read in full here on John Shaqi.
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