The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
He grasped her hand at this.
“Yes, he will! too true! can’t be helped: they say I’m handsome.”
“You’re lovely, Bella.”
She drank in his homage.
“Well, we’ll admit it. His Highness below likes lovely women, I hear
say. A gentleman of taste! You don’t know all my accomplishments yet,
Richard.”
“I shan’t be astonished at anything new, Bella.”
“Then hear, and wonder.” Her voice trolled out some lively roulades.
“Don’t you think he’ll make me his prima donna below? It’s nonsense to
tell me there’s no singing there. And the atmosphere will be favourable
to the voice. No damp, you know. You saw the piano—why didn’t you ask
me to sing before? I can sing Italian. I had a master—who made love to
me. I forgave him because of the music-stool—men can’t help it on a
music-stool, poor dears!”
She went to the piano, struck the notes, and sang—
“‘My heart, my heart—I think ’twill break.’
“Because I’m such a rake. I don’t know any other reason. No; I hate
sentimental songs. Won’t sing that. Ta-tiddy-tiddy-iddy—a...e! How
ridiculous those women were, coming home from Richmond!
‘Once the sweet romance of story
Clad thy moving form with grace;
Once the world and all its glory
Was but framework to thy face.
Ah, too fair!—what I remember
Might my soul recall—but no!
To the winds this wretched ember
Of a fire that falls so low!’
“Hum! don’t much like that. Tum-te-tum-tum—accanto al fuoco—heigho! I
don’t want to show off, Dick—or to break down—so I won’t try that.
‘Oh! but for thee, oh! but for thee,
I might have been a happy wife,
And nursed a baby on my knee,
And never blushed to give it life.’
“I used to sing that when I was a girl, sweet Richard, and didn’t know
at all, at all, what it meant. Mustn’t sing that sort of song in
company. We’re oh! so proper—even we!
‘If I had a husband, what think you I’d do?
I’d make it my business to keep him a lover;
For when a young gentleman ceases to woo,
Some other amusement he’ll quickly discover.’
“For such are young gentlemen made of—made of: such are young gentlemen
made of!”
After this trifling she sang a Spanish ballad sweetly. He was in the
mood when imagination intensely vivifies everything. Mere suggestions
of music sufficed. The lady in the ballad had been wronged. Lo! it was
the lady before him; and soft horns blew; he smelt the languid
night-flowers; he saw the stars crowd large and close above the arid
plain this lady leaning at her window desolate, pouring out her
abandoned heart.
Heroes know little what they owe to champagne.
Public-domain text, read in full here on John Shaqi.
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