The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and CountriesBerdoe, Edward
History
The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and Countries
Berdoe, Edward
Medicine -- History
Hindu treatises on medicine inform the physician that man’s
constitution is occasioned by three dispositions born with him—_wadum_,
_pittum_, and _chestum_, or wind, bile, and slime,—and it is the
physician’s business to ascertain which of these predominate in any
individual. These we may call the three morbiferous diatheses. The
pulse is to be felt, not merely at the wrist as we feel it, but in ten
different parts of the body. Some of the descriptions of the pulse are
very curious. Sometimes, they say, it beats as a frog jumps, or as a
creeping rain-worm, or like the motion of a child in a cradle hung in
chains; at other times it is like a fowl when running or as a peacock
when strutting, and so on.
The Yantras or surgical implements known to Susruta were, according to
Professor H. H. Wilson, one hundred and one, and are thus described by
him in his most interesting paper on the “Medical and Surgical Sciences
of the Hindus.”[274]
The instruments were classed as Swastikas, Sandanśas, Tálayantras,
Nádiyantras, Salákás, and Upayantras.
The _Swastikas_ are twenty-four in number; they are metallic, about
eighteen inches long, and fancifully shaped like the beaks of birds,
etc. They were a sort of pincers or forceps.
The _Sandanśas_ were a kind of tongs for removing extraneous substances
from the soft parts.
The _Tálayantras_ were similar, and were used for bringing away foreign
bodies from the ears, nose, etc.
The _Nádiyantras_ were tubular instruments, of which there were twenty
sorts. They were similar to our catheters, syringes, etc. The _Salákás_
were rods and sounds, etc. Of these there were twenty-eight kinds;
some were for removing nasal polypi, so common and so troublesome in
India. The _Upayantras_ were such dressings as cloth, twine, leather,
etc. The first, best, and most important of all implements is declared
to be the _Hand_. The _Man’dalágra_ was a round pointed lancet; the
_Vriddhipatra_ a broad knife; the _Arddhadhárás_ are perhaps knives
with one edge; the _Trikúrchaka_ may be a sort of canular trochar,
with a guarded point. The _Vrihimukha_ is a perforating instrument.
The _Kutháriká_ was probably a bistoury. The _Vadiśa_ is a hooked
or curved instrument for extracting foreign substances, and the
_Dantaśanku_ appears to be an instrument for drawing teeth. The _Ará_
and _Karapatra_ are saws for cutting through bones. The _Eshan’i_ is a
blunt straight instrument six or eight inches long—a sort of probe, in
fact. The _Súchi_ is a needle. Then the Hindu surgeon had substitutes
such as rough leaves that draw blood, pith of trees, skin, leeches,
caustics, etc. It is evident that the surgeon of ancient India was not
inefficiently armed.
Public-domain text, read in full here on John Shaqi.
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