The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and CountriesBerdoe, Edward
History
The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and Countries
Berdoe, Edward
Medicine -- History
“The ceremony began at eleven o’clock at night; the Lamas ranged
themselves in a semicircle round the upper portion of the tent with
cymbals, sea-shells, bells, tambourines, and other instruments of the
noisy Tartar music. The remainder of the circle was completed by the
members of the family squatting on the ground close to one another, the
patient kneeling, or rather crouched on her heels, opposite the Demon
of Intermittent Fever. The Lama doctor in chief had before him a large
copper basin filled with millet, and some little images made of paste.
The dung-fuel threw amid much smoke a fantastic and quivering light
over the strange scene. Upon a given signal, the clerical orchestra
executed an overture harsh enough to frighten Satan himself, the lay
congregation beating time with their hands to the charivari of clanging
instruments and ear-splitting voices. The diabolical concert over,
the Grand Lama opened the Book of Exorcisms, which he rested on his
knees. As he chanted one of the forms, he took from the basin from time
to time a handful of millet, which he threw east, west, north, and
south, according to the Rubric. The tones of his voice as he prayed
were sometimes mournful and suppressed, sometimes vehemently loud
and energetic. All of a sudden he would quit the regular cadence of
prayer, and have an outburst of apparently indomitable rage, abusing
the herb puppet with fierce invectives and furious gestures. The
exorcism terminated, he gave a signal by stretching out his arms right
and left, and the other Lamas struck up a tremendously noisy chorus
in hurried, dashing tones. All the instruments were set to work, and
meantime the lay congregation, having started up with one accord, ran
out of the tent one after the other, and tearing round it like mad
people, beat it at their hardest with sticks, yelling all the while at
the pitch of their voices in a manner to make ordinary hair stand on
end. Having thrice performed this demoniac round, they re-entered the
tent as precipitately as they had quitted it, and resumed their seats.
Then, all the others covering their faces with their hands, the Grand
Lama rose and set fire to the herb figure. As soon as the flames rose
he uttered a loud cry, which was repeated with interest by the rest of
the company. The laity immediately arose, seized the burning figure,
carried it into the plain, away from the tents, and there, as it
consumed, anathematized it with all sorts of imprecations; the Lamas,
meantime, squatted in the tent, tranquilly chanting their prayers in a
grave, solemn tone. Upon the return of the family from their valorous
expedition, the praying was exchanged for joyous felicitations.
By-and-by each person provided with a lighted torch, the whole party
rushed simultaneously from the tent, and formed into a procession, the
laymen first, then the patient, supported on either side by a member
of the family, and lastly, the nine Lamas, making night hideous with
their music.
Public-domain text, read in full here on John Shaqi.
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