The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and CountriesBerdoe, Edward
History
The Origin and Growth of the Healing Art: A Popular History of Medicine in All Ages and Countries
Berdoe, Edward
Medicine -- History
The great philosophers of ancient Greece believed that all the elements
are modifications of one common substance, called the primary matter,
which they demonstrated to be devoid of all quality and form, but
susceptible of all qualities and forms. It is everything in capacity,
but nothing in actuality. Matter is eternal; the elements are the first
matter arranged into certain distinguishing forms. Some of the early
philosophers held that all the materials which compose the universe
existed in a fluid form; they understood by fire, matter in a highly
refined state, and that it is the element most intimately connected
with life, some even considering it the very essence of the soul. “Our
souls are fire,” says Phornutus. “What we call heat is immortal,” says
one of the Hippocratic writers, “and understands, sees, and hears all
things that are or will be.”[369]
Bacon explains the ancient fable of Proteus as signifying matter, a
something which, being below all forms and supporting them, is yet
different from them all.
Sir Isaac Newton is not widely different from Strabo when he says that
all bodies may be convertible into one another.
Commenting upon these opinions of the Greek philosophers, Dr. Adams
says, in his introduction to the works of Hippocrates:[370] “If every
step which we advance in the knowledge of the intimate structure of
things leads us to contract the number of substances formerly held to
be simple, I would not wonder if it should yet turn out that oxygen,
carbon, hydrogen, and nitrogen are—like what the ancients held the
elements to be—all nothing else but different modifications of one
ever-changing matter.”
The theories of the Greek philosophers on the elements are poetically
summed up in Ovid’s _Metamorphoses_:—
“Nor those which elements we call abide,
Nor to this figure nor to that are ty’d:
For this eternal world is said of old
But four prolific principles to hold,
Four different bodies; two to heaven ascend,
And other two down to the centre tend.
Fire first, with wings expanded, mounts on high,
Pure, void of weight, and dwells in upper sky;
Then air, because unclogged, in empty space
Flies after fire, and claims the second place;
But weighty water, as her nature guides,
Lies on the lap of earth; and mother Earth subsides.
All things are mixed of these, which all contain,
And into these are all resolved again;
Earth rarifies to dew; expanding more,
The subtle dew in air begins to soar;
Spreads as she flies, and, weary of the name,
Extenuates still, and changes into flame.
Thus having by degrees perfection won,
Restless, they soon untwist the web they spun,
And fire begins to lose her radiant hue,
Mixed with gross air, and air descends in dew!
And dew condensing, does her form forego,
And sinks, a heavy lump of earth, below.
Thus are their figures never at a stand,
But changed by Nature’s innovating hand.”[371]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account