It is related that in the thirteenth century, in a little town of Italy, a Brother Thomas asked Brother Bonaventure whence came the power and unction of which all his sermons were so full. Bonaventure pointed to a crucifix hanging on the wall of his cell: “He it is who dictates to me all that I say.” This reply was reported to the people, who believed it literally, and the inhabitants of the town were convinced that Brother Bonaventure possessed a crucifix that spoke. The painters adopted the subject, amongst the first were those of Spain. Thus a symbol took the place of a sacred truth. The Church has often been accused of tolerating like superstitions; yet she endeavours to stop their propagation; but the task of trying to restore each stone to its place is one of great delicacy, lest the foundations should be shaken upon which the spiritual life of long centuries has been built. Miracles are a prominent feature in all religions; nevertheless, when the disciples of Buddha asked their master to enable them to perform them, he replied: “I will teach you to perform the greatest moral miracle. Hide your good deeds, and confess before the world the sins you have committed” (_Phy. Religion_, p. 339). Mohammed, in the Koran, expresses the strongest contempt for miracles, in the usual sense of that word, and he appeals to the true miracles, the great works of Allah in nature: “I cannot show you,” he said to his disciples, “signs more wonderful than what you see every day and every night.” But the orthodox Mohammedans delight in relating the miracles wrought by Mohammed, and which have made him the marvel of Arabia. Miracles seem to serve the purpose of impressing upon us that the religion is true in which name they are performed; it has also been observed that the same miracle is not generally performed twice, as the second time it appears natural; it is extraordinary the faculty man possesses of feeling no astonishment at those things which should awaken his most profound astonishment.