The Origins and Destiny of Imperial Britain: Nineteenth Century EuropeCramb, J. A. (John Adam)
History
The Origins and Destiny of Imperial Britain: Nineteenth Century Europe
Cramb, J. A. (John Adam)
Great Britain -- Colonies -- Administration -- History -- 19th century; Imperialism; War
To ponder too curiously the question why a State declines is like
pondering too curiously the question why a man dies. In the
vicissitudes of States we are on the threshold of the same Mystery as
in the vicissitudes of nature and of human life. The tracts and
regions governed by cause and effect are behind us. An empire, like a
work of art, is an end in itself, but duration in the former is an
integral portion or phase of that end. From the concept, "Empire,"
duration is inseparable, and the extent of that duration is involved in
the concept itself. Duration and modes, religious or ethical, are
alike determined from within, from the divine thought realizing itself
through the individual in the State. The curve of an empire's history
is directed by no self-existent, isolated causes. It is a portion of
the universe, evading analysis as the beauty of a statue evades
analysis, lost in the vastness of nature, in the labyrinths of the soul
which created and of the soul which contemplates its perfection.
Therefore regret for the fall of an empire, unless, as in the works of
a Gibbon or a Tacitus, it aids in transforming the present nearer to
the heart's desire, is vain enough. The Eros of Praxiteles and the
Athênê of Scopas, like the Cena of Leonardo and the Martyr of Titian,
are beyond our reach, and with all our industry we shall hardly recover
the ninety tragedies of Aeschylus. But the moment within the soul of
the artist which these works enshrined, which by their inception and
completion they did but strengthen and prolong, that moment of vision
has not passed away. It has become part of the eternal, as the
aspirations, fortitudes, heroisms, endurances, great aims which Rome or
Hellas impersonates have become part of the eternal. Man, born into a
world which was not made for him, is perplexed, until in such moments
the end for which he was himself fashioned is revealed. The artist,
the hero, and the prophet give of their peace unto the world. Yet is
this gift but a secondary thing, and subject to cause, and time, and
change.
Public-domain text, read in full here on John Shaqi.
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