The Origins and Destiny of Imperial Britain: Nineteenth Century EuropeCramb, J. A. (John Adam)
History
The Origins and Destiny of Imperial Britain: Nineteenth Century Europe
Cramb, J. A. (John Adam)
Great Britain -- Colonies -- Administration -- History -- 19th century; Imperialism; War
And this same passion for the infinite is the informing thought of
Wagner's tone-dramas and Tschaikowsky's symphonies. Love's mystery is
deepened by the mystery of death, and its splendour has an added touch
by the breath of the grave. The desire of the infinite greatens the
beauty of the finite and lights its sanctuary with a supernatural
radiance. All knowledge there becomes wonder. Truth is not known, but
the soul is there in very deed possessed by the Truth, and is one with
it eternally.
Ibsen's protest against limited horizons, against theorists,
formulists, social codes, conventions, derives its justice from the
worthlessness of those conventions, codes, theories, in the light of
the infinite. The achievements in art most distinctive of the present
age--the paintings of Courbet, Whistler, Degas, for instance--proclaim
the same creative principle, the unsubstantiality of substance, the
immateriality of matter, the mutability of all that seems most fixed,
the unreality of all things, save that which was once the emblem of
unreality, the play of line and colour, and their impression upon the
retina of the eye. "If I live to be a hundred, I shall be able to draw
a line," said Hokousai. It was as if he had said, "I shall be able to
create a world."
The pressing effects of Imperialism in such an environment, its swift
influences upon the life of an age thus conditioned, thus sharply
defined from all preceding ages, are of an import which it would be
hard to over-estimate. The nation undowered with such an ideal,
menaced with extinction or with a gradual depression to the rank of a
protected nationality, passes easily, as in France and Holland and in
the higher grades of Russian society, to the side of political and
commercial indifferentism, of artistic or literary cosmopolitanism.
But to a race dowered with the genius for empire, it rescues politics
from the taint of local or transient designs, and imparts to public
affairs and the things of State that elevation which was their
characteristic in the Rome of Virgil and the England of Cromwell. For
not only the life of the individual, but the life of States, is by this
conception robed in something of its initial wonder. These, the
individual and the State, as we have seen, are but separate phases,
aspects of one thought, that thought which in the Universe is realized.
Public-domain text, read in full here on John Shaqi.
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