[9] Nevertheless the Truce of God is one of the noblest efforts of mediaeval Europe. It drew its origins from southern France, arising partly from the misery of the people oppressed by the constant and bloody strife of feudal princes and barons, heightened at that time by the fury of a pestilence, partly also from a widespread and often fixed and controlling persuasion that with the close of the century the thousand years of the Apocalypse would be fulfilled, and that with the year A.D. 1000 the Day of Judgment would dawn. Ducange has collected the evidence bearing on the use of the Latin term, and Semichon's admirable work, _La Paix et la Trève de Dieu, première édition_, 1857, _deuxième édition revue et augmentée_, 1869, sketches the growth of the movement. With the eleventh century, though the social misery is unaltered, the force of the mystic impulse is lost; at the synod of Tuluges in 1027 the days of the week on which the Truce must be observed are limited to two. But towards the close of the century the rising power of Hildebrand and the crusading enthusiasm gave the movement new life, and the days during which all war was forbidden were extended to four of the seven days of the week, those sacred to the Last Supper, Death, Sepulture, and Resurrection. With the decline of the crusading spirit and the rise of monarchical principles the influence and use of the Treuga waned. The verses of the troubadour, Bertrand le Born, are celebrated--"Peace is not for me, but war, war alone! What to me are Mondays and Tuesdays? And the weeks, months, and years, all are alike to me." The stanza fitly expresses the way in which the Truce had come to be regarded by feudal society towards the close of the twelfth century. [10] St.-Pierre's work appeared in 1712, three years after Malplaquet, the most sanguinary struggle of the Marlborough wars. It is thus synchronous with the last gloomy years of Louis XIV, when France, and her king also, seemed sinking into the mortal lethargy of Jesuitism. St.-Simon in his early volumes has written the history of these years. Voltaire accuses St.-Pierre of originating or encouraging the false impression that he had derived his theory from the Dauphin, the pupil of Fenelon and the Marcellus of the French Monarchy. An English translation of St.-Pierre's treatise was published in 1714 with the following characteristic title-page: "A Project for settling an Everlasting Peace in Europe, first proposed by Henry IV of France, and approved of by Queen Elizabeth and most of the Princes of Europe, and now discussed at large and made practicable by the Abbot St. Pierre of the French Academy."