The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
It is evident that the effect upon the hen must be greater in
proportion as the sex marks and species marks of the male are more
clearly defined, and therefore easier to perceive. Not only as means
of recognition, but also as instruments for sexual incitement,
colour-patterns with lucent points must be more advantageous than any
other system of decoration. It is easily understood that a design like
that on the tails of pheasants and peacocks is eminently capable of
attracting the female attention to the displaying cock. But it would
be stretching the theory too far if the marvellous “balls on sockets”
were explained as nothing but conspicuous signals, the meaning of
which the hen is able to decipher by help of her inherited instincts.
The influence of the display is amongst these species undoubtedly
strengthened by an action which is quite independent of any sexual
associations. Besides accentuating the sex and kind of the cock, these
luminous spheres will, moreover, in virtue of their very smallness
and brilliancy, provoke a stimulation in the mind of the hen before
whom they are vibrated. To understand this effect, it is necessary
to investigate the more general question of animal appreciation of
brilliancy.
The powerful attraction exercised by lucent things can be sufficiently
proved by numerous instances from the life of insects and fishes as
well as of higher animals. It is needless to dwell upon the various
means by which man has availed himself of this disastrous predilection
in order to entice animals within reach of his weapons.[277] More
important in this connection is the mania for collecting lustrous
objects that has been noticed in the case of ravens, jays, magpies,
jackdaws, goldfinches, chiff-chaffs, sea-pies, etc.[278] It has
scarcely ever been suggested that the thievish jackdaw is prompted
by any _æsthetic_ liking for brilliant plate. But as it shows itself
amongst the atlas birds and the bower birds, this exaggeration of the
appropriative impulse has been regarded as an indication of artistic
inclination. It has been contended that these birds not only appreciate
shining and gorgeous objects, but even understand how to arrange them
according to a decorative plan.[279]
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