The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
By the Australian instances, however, the general predilection for
brilliant objects is brought into connection with the pairing dresses
of pheasants, peacocks, and humming birds. The small and brilliant
objects with which the bower birds play during their pairing season
remind us irresistibly of the “balls on sockets” and of the ocelli
designs of the colibri.[282] It is true that the pheasants carry on
their tail what the Australian birds keep in their bill. But apart
from this unimportant difference, the display seems to be the same in
both cases. In Mr. Strange’s letter it is said that the cock, when
performing the exalted antics that precede pairing, “runs to the bower,
picks up a gaudy feather or a spotted leaf, pours forth some peculiar
notes, and runs through the pavilion.” It is not quite clear from this
wording whether the objects really are exhibited _before_ the hen. But
one may safely assume that she in any case has paid some attention to
her consort’s performance. She has decidedly not, any more than the
pea-hen, received any sort of æsthetic impression from the display. But
the brilliancy has undoubtedly stimulated her, as it stimulates all
the other birds quoted in this connection, in a purely physiological
way. This action, on the other hand, is sufficiently explained by
recent researches on the physiological effects which the contemplation
of concentrated lustre produces on animal organisms. It is also well
known that objects with exactly the same qualities as the ocelli on the
peacock’s tail play an important part in hypnotic experiments. And the
primitive shamans as well as the modern cultivators of “crystal-gazing”
are acquainted with the peculiar effects of prolonged gazing on
glass-balls or the shining surface of water. More familiar still is
the fascinating influence exercised by that lustrous little globe, the
human eye.
In all these various examples the smallness of the object fetters the
attention, and thereby makes the mind a defenceless prey to the images,
feelings, and impulses which for the moment invade it. The lustre, on
the other hand, will, to use the language of M. Binet, strengthen the
intensity of these mental images.[283] There is no reason why these
effects, which presuppose no sort of intellectual activity, should not
take place in animals as well as in man. In the case of the peacock,
therefore, the idea “male” will imprint itself with greater and more
efficacy upon the mind of the hen when she is exposed on every side to
the twinkling eyes on the expanded tail of her mate.
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