The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
In Messrs. Spencer and Gillen’s work on Australia there is one passage
which suggests another possible cause for the origin of female dress.
When speaking about the souls of ancestors, which, for the purpose of
reincarnation, try to find a way to the bodies of young women, the
authors say that “spirit children are also supposed to be especially
fond of travelling in whirlwinds, and on seeing one of these, which
are very frequent at certain times of the year, approaching her a
woman will at once run away.”[322] Now, this notion that the wind
is capable of bringing about impregnation is by no means confined
to the Australian aborigines. Mr. Hartland has been able to adduce
testimonies of its occurrence not only in savage tribes, but also among
the Romans of Virgil’s time.[323] And the Hottentots have an almost
similar superstition, viz. that a pouring rain, when falling on the
naked body, promotes conception.[324] The belief in the fertilising
powers of sunshine, well known from European folklore and frequently
illustrated in literature, from the Danaë legends upwards to the
mysterious warnings of Hamlet to Ophelia, can of course be quoted as
indications of the same universal “folk-belief.”[325] It would only be
natural if the women, who so anxiously try to escape from the dangers
of fecundation that surround them on all sides in the atmosphere, had
found out the simple expedient of protecting themselves by clothing.
We cannot, of course, positively assert that the wearing of clothes was
originally due to superstitious reasons. We have only wished to point
out that such an hypothesis can be proposed and consistently defended.
It accounts not only for the especial character of the simplest
dresses, but also, which is more important, for the fact of their being
adopted only when sexual maturity is reached.
Public-domain text, read in full here on John Shaqi.
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