The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
Perhaps more important still than any of the above-mentioned motives
is the one to which Herr Lippert has called attention.[339] In a
nation where, owing to the undeveloped division of labour, all people
necessarily become more or less like each other, the individual must,
he thinks, feel a strong desire to develop a fixed ego, a personality
apart, which can be distinguished from all his fellows. This craving
may perhaps, as Lippert thinks, have something to do with the growth
of a philosophical consciousness. But it may also be considered from
a purely practical point of view. In the same way as ornaments on
weapons and implements often serve as owners’ marks,[340] so the
ornaments on the body may serve as means of identifying, for social
and political purposes, the man who is decorated with them. The
Moko patterns of the Maoris, for instance, have in fact been used
as legally recognised marks, and copies of them applied, instead of
signatures, to documents.[341] Whether the utilitarian or the more
philosophic explanation be preferred, it is evident that, even if there
had been no necessity to attract the attention of the opposite sex,
the impulse to create an appearance which is at least to some degree
personal would have led to the different systems of embellishment.
Thus among people who wear clothes any details in dresses and gems
would be made distinctive; where the naked body is lightly coloured,
so as to make tattooing conspicuous, distinguishing patterns would
be incised; among darker nations, on the other hand, simple scars
would be cut; and finally, in the blackest tribes, on whose skin not
even scars stand out, modes of hair-dressing would afford a last
expedient for differentiation. And it is evident that tribes in their
intercourse with each other would be led by the same considerations as
individuals.[342] Even in a fictitious unisexual mankind there might
thus have appeared precisely the same kind of common and fixed signs
by which tribes are differentiated from each other, and of individual
signs by which members of the same tribe are distinguished by
variations from the common type. These signs must necessarily, as was
shown in the foregoing, exercise a powerful influence on the opposite
sex, and their development may therefore have been to some extent
furthered by sexual selection. But it seems impossible to contend that
they have been invented only for the purposes of courtship.[343]
Public-domain text, read in full here on John Shaqi.
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