The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
In all that has been written against Darwin’s _Descent of Man_ there is
perhaps nothing that is so relevant to the main issue as Mr. Hudson’s
criticism. He observes that Darwin has gathered together from all
regions of the globe unconnected facts about various species without
closely examining the habits and actions of these species.[349] It
goes without saying that such an examination would be extremely
difficult with regard to animals, the social life of which is as yet
so insufficiently known. For one not a zoologist, at least, it would
be too audacious to present any classification of the instances, and
therefore we did not even mention this possibility in the treatment
of animal art. In this connection, however, one may suggest, without
positively asserting, that perhaps even the animal manifestations of
dance and music may be classified in groups which correspond to the
prevailing social conditions of the respective species. There is at
least a striking similarity between the types of song, serene with
all their passion, with which the males of the monogamous songsters
entertain their mates—those mates which, if one may believe the
brothers Müller, have been chosen even before the pairing season.[350]
And, on the other hand, these graceful and harmonious utterances stand
in the strongest contrast to the vehement display of promiscuous
wood-birds and polygamous fowl.
However presumptuous it may be to draw any general conclusions from
these coincidences, it is evidently indispensable, when treating of
sexual selection in man, to look for some connection between the
various forms of courtship and prevailing social institutions. This
necessity was fully understood by Darwin himself.[351] But it has
been too much overlooked by his successors, who, when discussing his
thesis, have defended or attacked it by promiscuous collections of
facts in which barbaric Malays and degenerate Polynesians are quoted
alongside primitives like the Veddas and Fuegians. If this confusion
is disentangled by a proper arrangement of the instances according
to stages of culture, the seeming inconsistency of the ethnological
evidence will be removed.
Public-domain text, read in full here on John Shaqi.
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