The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
More interesting than all these sociological agencies is the influence
of prevailing religious and superstitious notions. As has been already
pointed out, sexual taboo has in many cases checked the development of
erotic poetry and dance as a public art. But perhaps more frequent than
the cases of such prevention are those where they have been furthered
by phallic systems of religion. This is of course an additional reason
for caution in accusing primitive art of immorality when it shocks our
feelings of modesty.[382] Thus the indecency of religious sculptures
connected with ancestor-worship has undoubtedly often a serious and
symbolical meaning.[383] In some tribes indecent pantomimes, which
otherwise are strictly forbidden, will be performed, evidently for
some superstitious reason, at funeral ceremonies.[384] Perhaps, also,
some superstitious notion about sympathetic magic lies behind the
obscene rites and songs which so often accompany wedding ceremonies.
This principle appears more unmistakable in the dramatic rites which
are performed by many people as means of removing sterility. Finally,
owing to a combination of sympathetic magic and animistic conceptions
of nature, erotic pantomime has acquired a prominent place among
agricultural rites.
All these manifestations of pictorial and literary art, which in aim
and intention cannot, properly speaking, be called erotic at all,
will be treated of in the following chapters. In this connection it
is only necessary to mention the naturalistic dramas which in Africa
and Australia are represented at the initiation of boys in manhood.
We need not explain that the performances in the male camps, by which
the youths are introduced to all the features of men’s life, naturally
assume an obscene character. But it is interesting that the pantomimes,
which, from our standpoint at least, are so revolting, sometimes seem
to be meant to serve the interests of morality. Mr. Mathews, in his
description of the Bora ceremony among the Kamilaroi, says that this
pantomimic representation was enacted for the purpose of teaching
youths to abstain from homo-sexual vices.[385] Knowing the degree
of immorality which has been reached by many savage tribes, one may
readily understand that the old men in the tribe have resorted to
these radical means of dissuading the boys from vice. And one feels
tempted to apply Mr. Mathews’ explanation to similar rites in other
tribes than the Kamilaroi. The initiation ceremonies of the Amazulus,
for instance, which would in no case be possible in any but extremely
degenerate nations, might be explained on the same hypothesis.[386]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account