The origins of art; a psychological & sociological inquiryHirn, Y. (Yrjö)
Philosophy
The origins of art; a psychological & sociological inquiry
Hirn, Y. (Yrjö)
Aesthetics; Art -- Philosophy; Art, Primitive
But as soon
as, by pathological influences, these conditions are annulled, even
civilised man necessarily falls back upon pantomimic language. In the
extreme forms of aphasia we may thus observe how strong the mimetic
impulse is when unchecked. There is the more reason to consider these
pathological instances as in some degree typical of the primeval
methods of communication, as it is only by assuming an earlier
system of impulsive, self-interpreting signs that we can explain the
subsequent development of conventional word or gesture-language.[177]
We cannot, however, argue from cases of mental disturbance as to the
original language of primitive man. For example, even if aphasia could
be considered as a case of atavism,[178] we could scarcely compare the
mimic capabilities of modern man with those of the unknown, wordless
being whose system of expressive signs, although he were compelled to
rely exclusively upon it, cannot possibly have been brought to any
great degree of perfection. Illustrations from deaf-mutes and from the
isolated specimens of “homo sapiens ferus”—Mr. Kipling’s Mowgli—are for
the same reason inadequate.[179] As long as ethnology is ignorant of
any wordless tribes, our notions as to the assumed dramatic language
rest entirely upon psychological deductions.[180] But the probability
of these deductions is, more or less, supported by what we know about
the lowest tribes now existing. It is true that the information on
this point is even more inconsistent than is usual in ethnological
evidence. But although due allowance must be made for the errors into
which a deficient knowledge of the primitive custom and languages has
led the various authors, there will nevertheless remain a sufficient
body of facts proving the important part which pantomimic communication
plays in the lower stages of mental evolution. Bushmen, Australians,
and Eskimos show us a highly developed dramatic language.[181] In some
parts of Australia it has been noticed that the store of gestures
is richest among tribes which have enjoyed the least contact with
Europeans.[182] And a further ground for considering this mode of
thought-conveyance as old and primitive is afforded by the fact that,
according to Mr. W. E. Roth, its “use is strictly enforced on certain
special occasions, such as some of the initiation ceremonies.”[183]
Mr. Fraser also believes that gesture-language is taught at the Bora
ceremonies.[184]
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