"You're on the wrong side of the game again, Tex," The Orphan said slowly,
watching the puncher narrowly, his gun steady as a rock. "You still
want to kill me, it seems. I've given you your life twice, once to your
knowledge, and I told you with the sheriff that I would shoot you if you
ever returned; and still you have come back to have me do it. You were
not satisfied to let things rest as they were."
Tex did not reply, and The Orphan continued, a flicker of contempt about
his lips.
"You were never cast for an outlaw, Tex. If I do say it myself, it
takes a clever man to live at that game, and I know, for I've been all
through it. As you see, Sneed and I didn't shoot each other, for the
play was too plain, too transparent. You should have ambushed one of
his men, burned his corrals and slaughtered his cattle, for then he
might have shot and talked later. And he might have gotten me, too,
for I was unsuspecting. I don't say that I would kill an innocent man to
arouse his anger if I had been in your place, I'm only showing you
where you made the mistake, where you blundered. Had you killed one of
his men it is very probable that his rage would have known no bounds,
but as it was the provocation was not great enough."
Tex remained silent and unconsciously toyed at his ear. The Orphan looked
keenly at the movement and wondered where he had seen it before, for it
was familiar. His face darkened as memory urged something forward to
him out of the dark catacombs of the past, and he stilled his breathing
to catch a clue to it. He saw the little ranch his father had worked so
hard over to improve, and had fought hard to save, and then the picture of
his dying mother came vividly before him; but still something avoided
his searching thoughts, something barely eluded him, trembling on the
edge of the Then and Now. He saw his father's body slowly swinging and
turning in the light breeze of a perfect day, and he quivered at the
nearness of what he was seeking, its proximity was tantalizing. The
rope!--the rope about his father's neck had been of manila fiber; he
could never forget the soiled, bleached-yellow streak which had led
upward to Eternity. And manila ropes were, at that time, a rarity in
that part of the country, for rawhide and braided-hair lariats had been
the rule. And on the day when he had given Tex his life in the defile he
had noticed the faded yellow rope which had swung at the puncher's saddle
horn. As he strained with renewed hope to catch the elusive impression
another scene came before him. It was of three men bent over a cow,
engaged in blotting out his father's brand, and instantly the face of
one of them sprang into sharp definition on his mental canvas.
Public-domain text, read in full here on John Shaqi.
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