The Orpheus C. Kerr Papers, Series 3Newell, R. H. (Robert Henry)
History
The Orpheus C. Kerr Papers, Series 3
Newell, R. H. (Robert Henry)
United States -- History -- Civil War, 1861-1865 -- Fiction
Then come with me to the Mackerel camp before Paris, and mark where the
antique Brigade is sitting-up with the expiring Confederacy. Observe
how each morning's sun is reflected from the gleaming spectacles of the
venerable military organization; while occasional rains make those same
innumerable glasses resemble fairy lakes with dead fish in them. Note
with what a respectable air of a reliable family physician each
patriarchal warrior exhumes, from somewhere down his leg, the massive
gold watch which he has been induced to buy for $10 of one of those
national benefactors in jewelry who advertise affectionately in our
more parental weekly journals of romance--and remarks, oracularly:
"It being exactly three o'clock by this here nineteen-carat repeater,
that air Confederacy has got just one hour less to live."
The fact, my boy, that this timely observation would apply with about
equal accuracy to the whole human family, need not deter your insidious
self from answering in the affirmative, when I ask you, calmly, if it
does not seem that a military organization of such intellect, _must_ be
engaged in some unspeakably profound scheme of victory, even though to
the uneducated eye it may present somewhat the aspect of a muddy old
gentleman with his head against a stone-wall?
And this business of showing the possible identity of apparent
dead-pause with actual velocity, reminds me of a chap I once knew in
the Sixth Ward. He was a cast-iron chap, my boy, whose most powerful
conception of enterprise in trade was vividly associated with the duty
of being forever in his shirt-sleeves; and he kept a hardware shop at
which the economical women of America could get such bargains in
flat-irons and door-plates, as were a temptation to marry none but the
most impoverished young men.
Many customers had this very practical hardware chap, and one of them
was an aged file in a broad-brimmed hat, blue spectacles, and a silk
umbrella, who had about him that air of Philadelphia which at once
suggests an equal admixture of chronic slumber and profundity. Being a
widower and a happy man, it was the daily custom of this aged file to
spend several hours of intellectual refreshment in the hardware shop,
smiling benignantly upon the ancient maidens who came thither to buy
curling-tongs, and enlivening the soul of the cast-iron chap with fine,
laborious treatises on the general idiocy of popular perception.
"I tell you, my child," this aged file would remark, polishing his
spectacles with a red silk handkerchief,--"I tell you, the popular
perception wants nicety; wants delicacy; wants capacity to distinguish
between the noisy, bustling style of operation by which it loves to be
deceived,--_Populus vult decipi_,--and the silent, almost imperceptible
agencies through which all really great results are accomplished."
Public-domain text, read in full here on John Shaqi.
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