The Other GirlsWhitney, A. D. T. (Adeline Dutton Train)
General
The Other Girls
Whitney, A. D. T. (Adeline Dutton Train)
Family life -- Fiction; Women -- Fiction
Further on, along the bay shores, and across the long bridge, and
reaching over crests of hills that gave beautiful pictures of land
and waterscape, the way was pleasanter and pleasanter. Other and
different homesteads were set along the route, suggesting endless
imaginations of the different character and living of the dwellers.
More than once, either Ray or Frank was on the point of saying, as
they passed some modest, pretty structure, with its field and
garden-piece, its piazza, porch, or balcony, and its sunny
windows,--"There! _that_ is a nice place and way to live!"
But a young man and woman are shy of sharing such imaginations,
before the sharing is quite understood and openly promised. So, many
times a silence fell upon their casual talk, when the same thing was
in the thought of each.
For miles before they came to it, the sightly Newrich edifice gave
itself, in different aspects, to the view. Mr. Newrich, himself,
never saw anything else in his drives out, of sky, or hill, or
water, after the first glimpse of "my house," and the way it "showed
up" in the approach.
Men were busy wheeling away rubbish, as they drove in between the
great stone posts that marked the entrance, where the elegant,
light-wrought, gilded iron gates were not yet hung.
Other laborers were rolling the lawn and terraces, newly sown with
English grass seed that was to come up in the spring, and begin to
weave its green velvet carpet. Piles of bricks and boards were
gathered at the back of the house and about the stables.
The plate-glass windows glittered in the sun. The tiled-roofs, with
their towers and slopes, looked like those in pictures of palace
buildings. It was a group,--a pile; under these roofs a family of
five--Americans, republicans, with no law of primogeniture to
conserve the estate beyond a single lifetime--were to live like a
little royal household. And the father had made all his money in
fifteen years in Opal Street. This country of ours, and the ways of
it, are certainly pretty nearly the queerest under the sun, when one
looks it all through and thinks it all over.
Frank Sunderline pointed out the lovely work of the pillars in the
porched veranda; every pillar a triple column, of the slenderest
grace, capitaled with separate devices of leaf and flower.
Then they went into the wide, high hall, and through the lower
rooms, floored and ceiled and walled most richly; and up over the
stately staircase, copied from some grand old English architecture;
along the galleries into the wings, where were the sleeping and
dressing-rooms; up-stairs, again, into other sleeping-rooms,--places
for the many servants that there must be,--pressrooms, closets,
trunk-rooms,--space for stowing all the ample providings for use and
change from season to season. Every frame and wainscot and panel a
study of color and exact workmanship and perfect finish.
Public-domain text, read in full here on John Shaqi.
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