The Other GirlsWhitney, A. D. T. (Adeline Dutton Train)
General
The Other Girls
Whitney, A. D. T. (Adeline Dutton Train)
Family life -- Fiction; Women -- Fiction
I have said that Bel Bree was a born reformer and a born poet; and
that the two things go together. To see freshly and clearly,--to
discern new meaning in old living,--living as old as the world is;
to find by instinct new and better ways of doing, the finding of
which is often only returning to the heart and simplicity of the
old living before it _was_ old with social circumventions and needed
to be fresh interpreted; these are the very heavenly gift and office
of illumination and leadership. Just as she had been made, and just
where she had been put,--a girl with the questions of woman-life
before her in these days of restless asking and uncertain
reply,--with her lot cast here, in this very crowding, fermenting,
aspiring, great New England metropolis, in the hour of its most
changeful and involved experience,--she brought the divine talisman
of her nature to bear upon the nearest, most practical point of the
wide tangle with which it came in contact. And around her in this
right place that she had found and taken, gathered and wrought
already, by effluence and influence, forces and results that gather
and work about any nucleus of life, however deep hidden it may be in
a surrounding deadness. All things,--creation itself,--as Asenath
had said, must begin in spots; and she and Bel Bree had begun a fair
new spot, in which was a vitality that tends to organic
completeness, to full establishment, and triumphant growth.
Upon Bel herself reflected quickly and surely the beneficent action
of this life. She was taking in truly, at every pore. How long would
it have been before, out of the hard coarse limits in which her one
line of labor and association had first placed her, she would have
come up into such an atmosphere as was here, ready made for her to
breathe and abide in? To help make also; to stand at its practical
mainspring, and keep it possible that it should move on.
The talk, the ideas of the day, were in her ears; the books, the
periodicals of the day were at hand, and free for her to avail
herself of. The very fun at Mrs, Scherman's tea-table was the sort
of fun that can only sparkle out of culture. There was a grace that
her aptness caught, and that was making a lady of her.
"I'll give in," said Elise Mokey, "that you're getting _style_;
though I can't tell how it is either. It ain't in your calico
dresses, nor the doing up of your hair."
Perhaps it was a good deal in the very simplifying of these from the
exaggerated imitations of the shop and street, as well as in the
tone of all the rest with which these inevitably fell into harmony.
But I want to tell you about Bel's kitchen Crambo. I want to show
you how what is in a woman, in heart and mind, springs up and shows
itself, and may grow to whatever is meant for it, out of the
quietest background of homely use.
She brought out pencil and paper, and made Kate write question slips
and detached words.
Public-domain text, read in full here on John Shaqi.
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