Murder -- Fiction; San Francisco (Calif.) -- Fiction
Then, in some way I couldn't follow, Mr. Jackson got from that to
talking about courts and evidence, and corroborating testimony; and
though for a while I couldn't make out what he was driving at,
presently it began to appear to me that he was trying to prove that all
the witnesses on the state's behalf had been lying. He was wonderfully
clever in his way of making the testimony seem improbable. He pulled
even mine to pieces, pointing out the revolver's not being where I said
it had fallen. He declared there was a plot against the prisoner; that
the gunsmith who had testified about the buying of the pistol had been
bribed to do so; and he appealed to the feelings of humanity and
justice in the jury.
He spoke beautifully. It made one's heart beat to hear just the tone
of his voice, even though one couldn't quite understand what he was
saying. And yet it was strange I thought that with everything he said
he did not bring forward, or even try to bring forward, one single
direct proof to show that Johnny Montgomery was innocent.
I was in a very confused state of mind indeed when Mr. Dingley got to
his feet. Though I had never heard him speak in a court I had read in
the newspapers that he was "Our golden-tongued orator," and father had
been used to say that, "Dingley was a whirlwind." But now, when he
rose, and turned toward the jury-box and began, his voice sounded stiff
and cold, as if he brought it out with a great effort. He didn't shake
his finger at the jury, as Mr. Jackson had done, nor fling out his
hands, nor lift his arms in the air and bring them down as if he were
bringing the world down on one's head. He simply stood there, and in a
matter of fact, even voice gathered up the evidence of the different
witnesses as one would beads in the hand, and strung them together; and
I saw a long chain of evidence winding around Johnny Montgomery. As he
went on measuring it out, for the first time I understood how heavily
my testimony counted. It seemed to do away with the whole defense. In
spite of Mr. Dingley the case seemed to be proving itself, and as he
went on he warmed to the very sound of his own argument; his voice
began to ring out more and I lost sight and memory of everything that
Mr. Jackson had said.
All heads were craning toward him as he stood with his back to all of
us, talking at the men in the jury-box as if they were the only people
in the world. The Spanish Woman was leaning forward, her elbow on her
knee, her head drooped, her hand hiding the lower part of her face, but
looking out from under her eyebrows like a picture I had once seen of a
prophetess. I felt that we were being wound up every moment more and
more tense, and when Mr. Dingley stopped, he left us at the highest
pitch possible for human beings to bear. When he sat down again he
gave a quick glance behind and around him and, as for a moment it
lingered on the Spanish Woman, I thought it seemed a little defiant.
Public-domain text, read in full here on John Shaqi.
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