The Other World; or, Glimpses of the Supernatural (Vol. 1 of 2): Being Facts, Records, and Traditions Relating to Dreams, Omens, Miraculous Occurrences, Apparitions, Wraiths, Warnings, Second-sight, Witchcraft, Necromancy, etc.
Religion
The Other World; or, Glimpses of the Supernatural (Vol. 1 of 2): Being Facts, Records, and Traditions Relating to Dreams, Omens, Miraculous Occurrences, Apparitions, Wraiths, Warnings, Second-sight, Witchcraft, Necromancy, etc.
Spiritualism; Supernatural
“On the last day she [Mary, daughter of A. P. de Lisle, of Garendon Park,
Esq.], longed much for a cup of cold water, but it was not thought good
for her; and so, when reminded of our Saviour’s thirst on the Cross, she
offered up her own thirst in union with His, and said she would ask for it
no more.[68] Her faculties, however, continued entire and clear to the
end, and by her particular request indulgenced prayers[69] were recited to
her that she might frequently repeat them. Thus her life ebbed softly
away; the last words on her lips being a prayer to her ‘Sweet Saviour to
have mercy upon her.’ And are not such things as these natural grounds for
having a sure hope that she died in the favour of God? It is true that we
have even supernatural grounds in the fact that on the night before her
decease (whilst she was receiving with devout mind the last anointing of
Holy Church to prepare her for her end) there was heard distinctly and by
several persons the sound of a celestial chant, proceeding from her
chamber, hymned by no earthly voices. Does not this look as if the blessed
spirits themselves had been assisting to prepare her that she might soon
become one of their company?”
“Four men,” continues the author of the Sermon from which the above is
taken, in a note to it, “none of them [Roman] Catholics, heard the
chanting three several times. They all agreed in their conviction as to
whence it came, that it was from the chamber of the dying child. The third
time it was so loud that they could distinguish, as it were, the several
voices that blended in this celestial harmony, some of which sung the
treble notes, while others took the deeper parts. The character of the
music was indescribably beautiful; and one of the men, who had been in the
habit of attending the Catholic service in S. Mary’s chapel, at
Grâce-Dieu, declared that the style of it was exactly like that of the
solemn Plain Chant used in that chapel which he was accustomed to hear
there. They described the chanting as having no air in it that they could
carry away, but the effect was solemn and beautiful beyond expression.
They supposed, at the moment, that it was some service, according to the
Catholic rites, which was being sung in the sick chamber by the priest and
his attendants. When they heard it, therefore, they were not surprised at
the sound, except that its beauty exceeded that of any religious service
they had ever heard; and it was not until the following morning, at the
breakfast hour, when relating what they had heard to their
fellow-servants, and being then informed that there had been no service
_chanted_ in the sick room, that the conviction flashed upon them, as upon
all to whom these facts have been since related, that the chanting
proceeded from heavenly spirits and departed saints, who had come hither
on an errand of mercy, to hedge round the dying bed of the departing
child.”--Note, p. 13.
Public-domain text, read in full here on John Shaqi.
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