The Outline of History: Being a Plain History of Life and MankindWells, H. G. (Herbert George)
History
The Outline of History: Being a Plain History of Life and Mankind
Wells, H. G. (Herbert George)
World history
The struggle between palace and temple came into Egyptian history,
therefore, at a different angle from that at which it came into
Babylonia. Nevertheless, it came in. Professor Maspero (in his _New
Light on Ancient Egypt_) gives a very interesting account of the
struggle of Amenophis IV with the priesthoods, and particularly with
priests of the great god, Ammon Ra, Lord of Karnak. The mother of
Amenophis IV was not of the race of Pharaoh; it would seem that his
father, Amenophis III, made a love match with a subject, a beautiful
Syrian named Tii, and Professor Maspero finds in the possible opposition
to and annoyance of this queen by the priests of Ammon Ra the beginnings
of the quarrel. She may, he thinks, have inspired her son with a
fanatical hatred of Ammon Ra. But Amenophis IV may have had a wider
view. Like the Babylonian Nabonidus, who lived a thousand years later,
he may have had in mind the problem of moral unity in his empire. We
have already noted that Amenophis III ruled from Ethiopia to the
Euphrates, and that the store of letters to himself and his son found at
Tel Amarna show a very wide range of interest and influence. At any
rate, Amenophis IV set himself to close all the Egyptian and Syrian
temples, to put an end to all sectarian worship throughout his
dominions, and to establish everywhere the worship of one god, Aton, the
solar disk. He left his capital, Thebes, which was even more the city of
Ammon Ra than later Babylon was the city of Bel-Marduk, and set up his
capital at Tel Amarna; he altered his name from “Amenophis,” which
consecrated him to Ammon (Amen) to “Akhnaton,” the Sun’s Glory; and he
held his own against all the priesthoods of his empire for eighteen
years and died a Pharaoh.
[Illustration: Akhnaton(Amenophis IV)
[based on the cast at Cairo, & the reliefs in the Berlin Museum.]]
Public-domain text, read in full here on John Shaqi.
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