Whether they tamed and domesticated the horse is still an open question. Perhaps they learnt to do so by degrees as the centuries passed. At any rate, we find late Palæolithic drawings of horses with marks about the heads that are strongly suggestive of bridles, and there exists a carving of a horse’s head showing what is perhaps a rope of twisted skin or tendon. But even if they tamed the horse, it is still more doubtful whether they rode it or had much use for it when it was tamed. The horse they knew was a wild pony with a beard under its chin, not up to carrying a man for any distance. It is improbable that these men had yet learnt the rather unnatural use of animal’s milk as food. If they tamed the horse at last, it was the only animal they seem to have tamed. They had no dogs, and they had little to do with any sort of domesticated sheep or cattle. It greatly aids us to realize their common humanity that these earliest true men could draw. Both races, it would seem, drew astonishingly well. They were by all standards savages, but they were artistic savages. They drew better than any of their successors down to the beginnings of history. They drew and painted on the cliffs and cave walls that they had wrested from the Neanderthal men. And the surviving drawings come to the ethnologist, puzzling over bones and scraps, with the effect of a plain message shining through guesswork and darkness. They drew on bones and antlers; they carved little figures. These late Palæolithic people not only drew remarkably well for our information, and with an increasing skill as the centuries passed, but they have also left us other information about their lives in their graves. They buried. They buried their dead, often with ornaments, weapons, and food; they used a lot of colour in the burial, and evidently painted the body. From that one may infer that they painted their bodies during life. Paint was a big fact in their lives. They were inveterate painters; they used black, brown, red, yellow, and white pigments, and the pigments they used endure to this day in the caves of France and Spain. Of all modern races, none have shown so pictorial a disposition; the nearest approach to it has been among the American Indians. [Illustration: A Reindeer Age Masterpiece] [Illustration: Reindeer Age (_Aurignacian_) Engravings & Carvings]