What with overseeing the yards, where battered corsairs were constantly
refitting, and supervising the Pilot’s School, where young Moors were
taught the rudiments of navigation, MacBride was kept busy during the
day, and his household saw little of him, but in the evenings he
returned rejoicing to the bosom of his family, never abroad to stray,
the soul of domesticity. He would lounge on the heaped cushions, his
long pipe in his teeth, his tankard handy, Schems-ed-dah nestling
against one shoulder, Tama and Ayesha taking turns with the other, and
call for his jester, Saïd.
“Hey, boy, tell us about ole Jerry and the bear.”
Then Ortho would squat and tell imaginary anecdotes of Jerry, and the
captain would hoot and splutter and choke until the three little girls
thumped him normal again.
“Rot me, but ain’t that rich?” he would moan, tears brightening his
scarlet cheeks. “Ain’t that jist like ole Jerry—the ole rip! He-he!
Tell us another, Saïd—that about the barber he shaved and painted like
his own pole—go on.”
Saïd would tell the story. At first he had been at pains to invent new
episodes for Captain Gish, that great hero of MacBride’s boyhood, but he
soon found it quite unnecessary; the old would do as well—nay, better.
It was like telling fairy stories to children, always the old favorites
in the old words. His audience knew exactly what was coming, but that in
no way served to dull their delight when it came. As Ortho (or Saïd)
approached a well-worn climax a tremor of delicious expectancy would run
through Schems-ed-dah (he was talking in Arabic now), Tama and Ayesha
would clasp hands, and MacBride sit up, eyes fixed on the speaker, mouth
open, like a terrier ready to snap a biscuit. Then the threadbare
climax. MacBride would cast himself backwards and beat the air with
ecstatic legs; Schems-ed-dah clap her hands and laugh like a ripple of
fairy bells; Ayesha and Tama hug each other and swear their mirth would
kill them.
When they recovered, the story-teller was rewarded with rum and tobacco
from that staunch Moslem MacBride, with sweetmeats and mint tea from the
ladies. He enjoyed his evenings. During the winter they sat indoors
before charcoal braziers in which burned sticks of aromatic wood, but on
the hot summer nights they took to the roof to catch the sea breeze.
Star-bright, languorous nights they were.
Below them the white town, ghostly glimmering, sloped away to the coast
and the flats. Above them the slender minaret, while on the lazy wind
came the drone of breakers and the faint sweet scent of spice gardens.
Voluptuous, sea-murmurous nights, milk-warm, satin-soft under a tent of
star-silvered purple.
Sometimes Schems-ed-dah fingered a gounibri and sang plaintive desert
songs of the Bedouin women, the two other girls, snuggling, half-asleep,
against MacBride’s broad chest, crooning the refrains.
Public-domain text, read in full here on John Shaqi.
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