It was the Djeema-el-Fna that drew her, that great, dusty, clamorous
fair-ground of Morocco where gather the story-tellers, acrobats and
clowns; where feverish drums beat the sun down, assisted by the pipes of
Aissawa snake charmers and the jingling _ouds_ and cymbals of the Berber
dancing boys; where the Sultan hung out the heads of transgressors that
they might grin sardonically upon the revels. Ourida adored the
Djeema-el-Fna. To the girl from the tent hamlet in the Sahara it was
Life. She wept at the sad love stories, trembled at the snake charmers,
shrieked at the crude buffoons, swayed in sympathy with the Berber
dancers, besought Ortho for coin, and more coin, to reward the charming
entertainers. She loved the varied crowds, the movement, the excitement,
the din, but most of all she liked the heads. No evening on the Djeema
was complete unless she had inspected these grisly trophies of imperial
power.
She said no word to Ortho, but nevertheless he knew perfectly well what
was in her mind; in her mind she saw young Saïd twenty years on,
spattered with infidel blood, riding like a tornado, serving his enemies
even as these.
Ferocious—she was the ultimate expression of ferocity—but knowing no
mean she was also ferocious in her love and loyalty; she would have
given her life for husband or son gladly, rejoicing. Such people are
difficult to deal with. Ortho sighed, but let her have her way.
Often of an evening Osman Bâki came to the house and they would sit in
the court drinking Malaga wine and yarning about old campaigns, while
Ourida played with the little ape and the old eagle watched for mice,
pretending to be asleep.
Osman talked well. He told of his boyhood’s home beside the Bosporus, of
Constantinople, Bagdad and Damascus with its pearly domes bubbling out
of vivid greenery. Jerusalem, Tunis and Algiers he had seen also and now
the Moghreb, the “Sunset land” of the first Saracen invaders. One thing
more he wanted to see and that was the Himalayas. He had heard old
soldiers talk of them—propping the heavens. He would fill his eyes with
the Himalayas and then go home to his garden in Rumeli Hissar and brood
over his memories.
Sometimes he would take the _gounibri_ and sing the love lyrics of his
namesake, or of Nêdim, or “rose garden” songs he had picked up in Persia
which Ourida thought delicious. And sometimes Ortho trolled his green
English ballads, also favorably received by her, simply because he sang
them, for she did not understand their rhythm in the least. But more
often they lounged, talking lazily, three very good friends together,
Osman sucking at the hookah, punctuating the long silences with shrewd
comments on men and matters, Ortho lying at his ease watching the
brilliant African stars, drawing breaths of blossom-scented air wafted
from the Aguedal, Ourida nestling at his side, curled up like a sleepy
kitten.
Public-domain text, read in full here on John Shaqi.
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