was heroic. But the far more marvelous achievement of the Dutch in the
same kind was ludicrous even to republican Marvell. Meanwhile, during
that very century of scorn, they were the best artists, sailors,
merchants, bankers, printers, scholars, jurisconsults, and statesmen in
Europe, and the genius of Motley has revealed them to us, earning a
right to themselves by the most heroic struggle in human annals. But,
alas! they were not merely simple burghers who had fairly made
themselves High Mightinesses, and could treat on equal terms with
anointed kings, but their commonwealth carried in its bosom the germs of
democracy. They even unmuzzled, at least after dark, that dreadful
mastiff, the Press, whose scent is, or ought to be, so keen for wolves
in sheep's clothing and for certain other animals in lions' skins. They
made fun of Sacred Majesty, and, what was worse, managed uncommonly well
without it. In an age when periwigs made so large a part of the natural
dignity of man, people with such a turn of mind were dangerous. How
could they seem other than vulgar and hateful?
In the natural course of things we succeeded to this unenviable position
of general butt. The Dutch had thriven under it pretty well, and there
was hope that we could at least contrive to worry along. And we
certainly did in a very redoubtable fashion. Perhaps we deserved some of
the sarcasm more than our Dutch predecessors in office. We had nothing
to boast of in arts or letters, and were given to bragging overmuch of
our merely material prosperity, due quite as much to the virtue of our
continent as to our own. There was some truth in Carlyle's sneer, after
all. Till we had succeeded in some higher way than this, we had only the
success of physical growth. Our greatness, like that of enormous Russia,
was greatness on the map,--barbarian mass only; but had we gone down,
like that other Atlantis, in some vast cataclysm, we should have covered
but a pin's point on the chart of memory, compared with those ideal
spaces occupied by tiny Attica and cramped England. At the same time,
our critics somewhat too easily forgot that material must make ready the
foundation for ideal triumphs, that the arts have no chance in poor
countries. And it must be allowed that democracy stood for a great deal
in our shortcoming. The _Edinburgh Review_ never would have thought of
asking, "Who reads a Russian book?" and England was satisfied with iron
from Sweden without being impertinently inquisitive after her painters
and statuaries. Was it that they expected too much from the mere miracle
of Freedom? Is it not the highest art of a Republic to make men of flesh
and blood, and not the marble ideals of such? It may be fairly doubted
whether we have produced this higher type of man yet. Perhaps it is the
collective, not the individual, humanity that is to have a chance of
nobler development among us. We shall see. We have a vast amount of
Public-domain text, read in full here on John Shaqi.
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