Ever the right explanation remains to be made about prudence. The
prudence of the mere wealth and respectability of the most esteem'd life
appears too faint for the eye to observe at all, when little and large
alike drop quietly aside at the thought of the prudence suitable for
immortality. What is the wisdom that fills the thinness of a year, or
seventy or eighty years--to the wisdom spaced out by ages, and coming
back at a certain time with strong reinforcements and rich presents, and
the clear faces of wedding-guests as far as you can look, in every
direction, running gayly toward you? Only the soul is of itself--all
else has reference to what ensues. All that a person does or thinks is
of consequence. Nor can the push of charity or personal force ever be
anything else than the profoundest reason, whether it brings argument to
hand or no. No specification is necessary--to add or subtract or divide
is in vain. Little or big, learn'd or unlearn'd, white or black, legal
or illegal, sick or well, from the first inspiration down the windpipe
to the last expiration out of it, all that a male or female does that is
vigorous and benevolent and clean is so much sure profit to him or her
in the unshakable order of the universe, and through the whole scope of
it forever. The prudence of the greatest poet answers at last the
craving and glut of the soul, puts off nothing, permits no let-up for
its own case or any case, has no particular sabbath or judgment day,
divides not the living from the dead, or the righteous from the
unrighteous, is satisfied with the present, matches every thought or act
by its correlative, and knows no possible forgiveness or deputed
atonement.
The direct trial of him who would be the greatest poet is to-day. If he
does not flood himself with the immediate age as with vast oceanic
tides--if he be not himself the age transfigur'd, and if to him is not
open'd the eternity which gives similitude to all periods and locations
and processes, and animate and inanimate forms, and which is the bond of
time, and rises up from its inconceivable vagueness and infiniteness in
the swimming shapes of to-day, and is held by the ductile anchors of
life, and makes the present spot the passage from what was to what shall
be, and commits itself to the representation of this wave of an hour,
and this one of the sixty beautiful children of the wave--let him merge
in the general run, and wait his development.
Public-domain text, read in full here on John Shaqi.
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