The monotony of hill and glade failing to interest me, and in default of other diversion, I all day long watched the birds, recalling how many gay and successful jays I knew who lived, as these, on the wit and industry of less ostentatious woodpeckers; thinking, too, what naïvely dogmatic and richly worded political economy Mr. Ruskin would phrase from my feathered friends. Thus I came to Ruskin, wishing I might see the work of his idol, and after that longing for some equal artist who should arise and choose to paint our Sierras as they are with all their color-glory, power of innumerable pine and countless pinnacle, gloom of tempest, or splendor, where rushing light shatters itself upon granite crag, or burns in dying rose upon far fields of snow. Had I rubbed Aladdin's lamp? A turn in the trail brought suddenly into view a man who sat under shadow of oaks, painting upon a large canvas. As I approached, the artist turned half round upon his stool, rested palette and brushes upon one knee, and in familiar tone said, "Dern'd if you ain't just naturally ketched me at it! Get off and set down. You ain't going for no doctor, I know." My artist was of short, good-natured, butcher-boy make-up, dressed in what had formerly been black broadcloth, with an enlivening show of red flannel shirt about the throat, wrists, and a considerable display of the same where his waistcoat might once have overlapped a strained but as yet coherent waistband. The cut of these garments, by length of coat-tail and voluminous leg, proudly asserted a "Bay" origin. His small feet were squeezed into tight, short boots, with high, raking heels. A round face, with small, full mouth, non-committal nose, and black, protruding eyes, showed no more sign of the ideal temperament than did the broad daub upon his square yard of canvas. "Going to Copples's?" inquired my friend. That was my destination, and I answered, "Yes." "That's me," he ejaculated. "Right over there, down below those two oaks! Ever there?" "No." "My _studio_'s there now;" giving impressive accent to the word. All the while these few words were passing he scrutinized me with unconcealed curiosity, puzzled, as well he might be, by my dress and equipment. Finally, after I had tied Kaweah to a tree and seated myself by the easel, and after he had absently rubbed some raw sienna into his little store of white, he softly ventured: "Was you looking out a ditch?" "No," I replied.