"These are notes," he said, "and I've pretty much made up my mind to
paint my great picture on a _gee-pull_. I'll scumble in a sunset effect,
lighting up the dust, and striking across the backs of team and driver,
and I'll paint a come-up-there-d'n-you look on the old teamster's face,
and the mules will be just a-humping their little selves and laying down
to work like they'd expire. And the wagon! Don't you see what fine
color-material there is in the heavy load and canvas-top with sunlight
and shadow in the folds? And that's what's the matter with H. G. Smith.
"Orders, sir, orders; that's what I'll get then, and I'll take my little
old Sarah Jane and light out for New York, and you'll see _Smith_ on a
studio doorplate, and folks'll say, 'Fine feeling for nature, has
Smith!'"
I let this singular man speak for himself in his own vernacular, pruning
nothing of its idiom or slang, as you shall choose to call it. In this
faithful transcript there are words I could have wished to expunge, but
they are his, not mine, and illustrate his mental construction.
The breath of most Californians is as unconsciously charged with slang
as an Italian's of garlic, and the two, after all, have much the same
function; you touch the bowl or your language, but should never let
either be fairly recognized in salad or conversation. But Smith's
English was the well undefiled when compared with what I every moment
heard from the current of teamsters which set constantly by us in the
direction of Copples's.
Close in front came a huge wagon piled high with cases of freight, and
drawn along by a team of twelve mules, whose heavy breathing and
drenched skins showed them hard-worked and well tired out. The driver
looked anxiously ahead at a soft spot in the road, and on at the
station, as if calculating whether his team had courage left to haul
through.
He called kindly to them, cracked his black-snake whip, and all together
they strained bravely on.
The great van rocked, settled a little on the near side, and stuck fast.
With a look of despair the driver got off and laid the lash freely among
his team; they jumped and jerked, frantically tangled themselves up, and
at last all sulked and became stubbornly immovable. Meanwhile, a mile of
teams behind, unable to pass on the narrow grade, came to an unwilling
halt.
About five wagons back I noticed a tall Pike, dressed in checked shirt,
and pantaloons tucked into jack-boots. A soft felt hat, worn on the back
of his head, displayed long locks of flaxen hair, which hung freely
about a florid pink countenance, noticeable for its pair of violent
little blue eyes, and facial angle rendered acute by a sharp, long nose.
Public-domain text, read in full here on John Shaqi.
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