So we strolled across an open space where were two giant pines towering
somber against the twilight, a little mountain brooklet, and a few quiet
cows.
"Stop," said Smith, leaning his back against a pine, and encircling my
neck affectionately with an arm; "I told you, as regards Sarah Jane, how
my feelings stand. Well, now, you just bet she's on the reciprocate!
When I told old woman Copples I'd like to invite you over,--Sarah Jane
she passed me in the doorway,--and said she, 'Glad to see _your_
friends.'"
Then _sotto voce_, for we were very near, he sang again:
"''Tis, O, 'tis the cottage of me love;'
"and C. K.," he continued familiarly, "you're a judge of wimmen,"
chucking his knuckles into my ribs, whereat I jumped; when he added,
"There, I knew you was. Well, Sarah Jane is a derned magnificent female;
number three boot, just the height for me. _Venus de_ Copples, I call
her, and would make the most touching artist's wife in this planet. If I
design to paint a head, or a foot, or an arm, get my little old Sarah
Jane to peel the particular charm, and just whack her in on the
canvas."
We passed in through low doors, turned from a small, dark entry into the
family sitting-room, and were alone there in presence of a cheery log
fire, which good-naturedly bade us welcome, crackling freely and tossing
its sparks out upon floor of pine and coyote-skin rug. A few old framed
prints hung upon dark walls, their faces looking serenely down upon the
scanty, old-fashioned furniture and windows full of flowering plants. A
low-cushioned chair, not long since vacated, was drawn close by the
centre-table, whereon were a lamp and a large, open Bible, with a pair
of silver-bowed spectacles lying upon its lighted page.
Smith made a gesture of silence toward the door, touched the Bible, and
whispered, "_Here's_ where old woman Copples lives, and it is a good
thing; I read it aloud to her evenings, and I can just feel the high,
local lights of it. It'll fetch H. G. yet!"
At this juncture the door opened; a pale, thin, elderly woman entered,
and with tired smile greeted me. While her hard, labor-stiffened,
needle-roughened hand was in mine, I looked into her face and felt
something (it may be, it must be, but little, yet something) of the
sorrow of her life; that of a woman large in sympathy, deep in faith,
eternal in constancy, thrown away on a rough, worthless fellow. All
things she hoped for had failed her; the tenderness which never came,
the hopes years ago in ashes, the whole world of her yearnings long
buried, leaving only the duty of living and the hope of Heaven. As she
sat down, took up her spectacles and knitting, and closed the Bible, she
began pleasantly to talk to us of the warm, bright autumn nights, of
Smith's work, and then of my own profession, and of her niece, Sarah
Jane. Her genuinely sweet spirit and natively gentle manner were very
beautiful, and far overbalanced all traces of rustic birth and mountain
life.
Public-domain text, read in full here on John Shaqi.
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