There was little philosophy and less science in Sicily as Theocritus reports it. The devastating passion for knowledge had not brought self-consciousness in like a tide, nor had the desire to know about things taken the place of knowledge of the things themselves. The beauty of the world was a matter of experience, not of formal observation, and was seen directly as artists see a landscape before they bring technical skill to reproduce it. So far as the men and women who work and sing and make love in the _Idylls_ were concerned, the age was delightfully unintellectual and, therefore, normally poetic. The vocabulary of names for things was made up of descriptive rather than analytical words, and things were seen in wholes rather than in parts. From this point of view religion was as universal and all-enfolding as air, and the gods were as concrete and tangible as trees and rocks and stars. They were companionable with all sorts and conditions of men, and if one wished to represent them, he used symbols and images of divinely fashioned men and women, not philosophical ideas or scientific formulæ. In this respect the Roman Catholic Church has been both a wise teacher and a tender guardian of lonely and sorrowful humanity. Homer was not a formal theologian, but the harvest of the seed of thought he sowed is not even now fully gathered. He peopled the whole world of imagination. Christianity is not only concrete but historic, and some day, when the way of abstraction has been abandoned for that way of vital knowledge, which is the path of the prophets, the saints, and the artists, it will again set the imagination aflame. Meantime Theocritus is a charming companion for those who hunger and thirst for beauty, and who long from time to time to hang up the trumpet of the reformer, and give themselves up to the song of the sea and the simple music of the shepherd's pipe. COLONIALISM IN THE UNITED STATES[9] HENRY CABOT LODGE