The Oxford Circus: A Novel of Oxford and YouthMiles, Hamish
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The Oxford Circus: A Novel of Oxford and Youth
Miles, Hamish
College stories; University of Oxford -- Fiction
Which step-father, Gaveston wondered; but a glance at Gotha’s Almanack
decided him in a trice against acceptance. “Phew!” he said to David,
“what an escape!” and the Baroness’s invitation fell heavily back into
the “refusals tray.”
But there were others.
* * * * *
It was a gay spring morning. Term was over, but, sitting though he
was in a first-class Great Western smoker, Gaveston could hardly
realize the fact. For where was the familiar landscape of Berks and
Bucks stretching like a sea between his terms and his vacations, his
vacations and his terms? Where was deserted Didcot? Where the reasty
biscuitries of Reading? And where were Wormwood Scrubbs with their
Cyclopean hangar, and their promise of speedy arrival at familiar
Paddington? Oh, of course; he remembered now: he had left Oxford from
the Down Platform.
And on purpose. The train was the only place (except his bed) where
Gaveston was often alone, and cradled by its rhythmical monotone of
sound, he always surrendered himself to reflection and revery. With
unseeing eyes he gazed upon the expanse of gloomy Drinkwater country
which so emphatically was not the usual well-brooked but over-factoried
valley of the Thames. How many hours, he thought, one wastes in
unmotivated journeyings, in merely purposeless vagulity! How futile
the pursuit of action for its own poor sake! For what lay before him
at his journey’s end? An English country-house, an English week-end
party, with its drinks and its drains, its horses and its carriages,
its ghosts and its flirtations, its back-stairs and its back-chat--with
no break in its well-bred monotony.
He saw it all stretching prospectively and preposterously before him,
all of it: the dormant station on an almost impossibly bifurcated
branch-line, its wooden platform bright with Easter Lilies and
lanky-Lot’s-wife, and marked [Illustration] Stops by Request in
Bradshaw; the rustic _gaucherie_ of the solitary and half-wit porter,
and then the glimpse of the perky cockade of the expectant groom;
and that predestinedly convergent encounter in the wagonette with
the other, but not over-numerous, guests, who, though only too well
known to each other, had travelled down in separate, but first-class,
compartments; and then that excruciatingly culminative moment of
arrival beneath the pompous Georgian portico, with the formalized words
of welcome slipping upwards into its stucco recesses, that gossipy tea
on the terrace, or, if season or weather proved inclement, in the mauve
drawing-room, and that chaste and tapestried bedroom in the bachelors’
wing with (yes) the assertively blue hot-water can ready in the,
certainly adequate, but somehow not urbanely inviting, basin.
Public-domain text, read in full here on John Shaqi.
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