“Dialogue XV. Aspasio revisits Theron.—Theron under anxiety of spirit.—Partly to entertain, partly to comfort his friend, Aspasio enlarges upon the bounty of the Creator, visible both in the animal and vegetable world.—The new convert is slow of heart to believe.—Evangelical motives to faith. “Dialogue XVI. Harvest scene.—Philenor’s gardens.—Statues.—Grove of evergreens.—Nature of true faith.—Its sure foundation, and sovereign supports. “Dialogue XVII. A river voyage.—The diversified prospect.—Comparative happiness.—Advantages of peace.—A celebration of the Gospel and its blessings, in a kind of rhapsody.—Christ’s Righteousness applied, to every case of distress, and every time of need.” Such is Hervey’s own correct outline of his work. As the reader will easily perceive, the book is a mixture of theological teaching and scenic painting, the latter being used, as Hervey himself states, “to soften the asperities of argument.” His “views of nature” are employed, not as being essential to the truths which he wished to teach, but rather, to grace his book with ornament, and to render it more readable. Whether this ought to be regarded as an excellence or a blemish, Hervey leaves his readers to determine. He writes,— “The author confesses a very peculiar fondness for the amiable scenes of creation. It is, therefore, not at all improbable, but his excursions on this topic may be of the _diffusive_ kind, and his descriptions somewhat _luxuriant_. It is hoped, however, that, the benevolent reader will indulge him in this favourite foible.” Hervey’s work was one of great importance. Of his “luxuriant descriptions” nothing need be said, except, that, many of them are quite equal to those in his “Meditations and Contemplations.”[229] Nearly all of them, however, might have been entirely omitted without at all interfering with the principal doctrines which it was the object of Hervey to teach and vindicate. They are excrescences, though beautiful,—oases in a doctrinal arena. To many of Hervey’s readers, they would be the most attractive sections of his book; to others, only intent on pursuing and mastering the author’s argument, they would be embellished barriers, and would be skipped. To Hervey’s doctrines, considered as a whole, orthodox Christians can take no exception. Wesley observed with perfect justness, “Most of the grand truths of Christianity are herein explained and proved with great strength and clearness.”[230] The _crux criticorum_ was Hervey’s peculiar views of what he called “the imputed righteousness of Christ.” A few brief extracts will show what he meant. “_Aspasio._ Justification is an act of God Almighty’s grace; whereby He acquits His people from guilt, and accounts them righteous; for the sake of Christ’s righteousness, which was wrought out for them, and is imputed to them.