Estelle was dusting the china in the big, brown-hued drawing-room, an
appalling museum of early Victorian atrocities, with efforts of the
newer arts which followed the cumbrous solidity; pieces of black and
gold, plush monkeys clinging to worked curtains, fret-work brackets and
tables covered with velvet sandwiched in here and there.
Estelle dusted an offensive bronze clock with positive loathing. It was
a gouty effigy of Time, clinging to his scythe because he must have
fallen without it, and mournfully accepting the hour-glass set in his
chest, which held a loudly-ticking clock of flighty opinions and
habits; evidently, judging by his soured expression, a cross to the
holder. Two large vases containing dyed pampas grass guarded each end
of the mantelpiece; two others held everlastings.
Estelle had once said that the room inspired her with a deep longing to
throw stones there, so as to break some of the monotony.
Mrs Martin, her aunt, padded softly in each morning, moving pieces of
furniture back to their exact places if they had been stirred by
visitors, patting the muslin antimacassars, pausing every time at the
doorway to remark, "Is it not a charming room?" and then padding out
again--she wore velvet slippers--to sit in the room at the back and
stitch for the poor. Mrs Martin had reduced dullness, skilfully touched
up with worthiness, to a fine art.
She gave Estelle complete liberty, because, behind her conventional
stupidity, she herself had a mind which imagined no harm, a child's
mind, crystal clear of evil thoughts. She had married, been widowed,
lived blamelessly. The swirl of London was part of the newspaper world,
"which everyone knows, my dear, the compositors make up as they go on,"
she told Estelle, "except of course the divorce cases, and no doubt
half of those are not true."
The most blameless daily which could be procured was taken together
with the Athenæum and the Sunday Chronicle.
"Oh, I shall throw them some day," said Estelle aloud to the vases.
"Who is that, Magennis?" said Mrs Martin to the butler. "Captain
Carteret! I trust he has come to arrange an outing for Miss Reynolds."
"He does that often, 'e does," said Magennis, as he went back to his
pantry. Magennis had not a mind of crystal purity. When he was younger
he had been pantry-boy in a large country house.
"Bertie! What is it?" Estelle dropped one of the smaller vases. It
crashed on to the silver brightness of the polished fender, making a
litter of bright-flowered glass and crackling everlastings.
"It's broken," said Estelle.
"And so am I." Bertie crossed the room and took her hands. "And you
cannot ever mend the vase, Estelle, but I wonder if you can mend me."
Estelle turned very white.
Public-domain text, read in full here on John Shaqi.
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