"If I were a little more orthodox," she replied, "I might quote
Scripture upon life's being some thing more than meat. Oh, Arthur, what
is the use of all this fencing? All that is asked of you is to be
honest; and to be honest the life of an artist in America to-day must
be a protest against dominant Philistinism; nobody has ever
acknowledged that oftener or more emphatically than you have."
"But the artists," returned he, not meeting her eyes, "are too
self-centered. Look at the Pagans; what efforts have they ever made to
win society? Society is ready enough to take them in."
"Arthur! Is it you who say that? To quote yourself against yourself,
'every work of art is an effort to conquer Philistinism.' Patronage
seems already to have sucked the life out of you."
"You may say what you like," Fenton remarked defensively; "you cannot
make me angry."
"That may be your misfortune," rejoined she sadly, "but I fear it is
your fault."
"The sin of a thing," he said, putting down his brushes impatiently,
"oftener consists in regarding it as a sin than in the thing itself."
He went to the round window, for his studio was high up in the
building, and removed the Japanese umbrella which served as its screen.
He threw himself upon a pile of cushions, regarding darkly the tops of
the trees in the Old Granary burying-ground opposite.
"_Que voulez-vous_?" he demanded coolly, after a moment's silence.
"You are unreasonable; you always are. I must live. I don't know why
you have a right to object to that. I have married a wife who is well
connected, and I always meant to make her connections help me,
Philistines or not. Even the godly Israelites made a virtue of spoiling
the Egyptians."
"But that was in departing from their country."
"We won't argue," the artist declared sulkily. "Argument is only
disputing about definitions, and we should never agree. I don't expect
you to think I'm right. As a matter of fact I have my doubts myself.
You might at least allow me the satisfaction of humbugging myself if I
am able."
She regarded him sadly. The chance remarks about Edith's relatives
seemed to throw a new and sinister light upon the reasons of his
marriage. She wondered if she had not been mistaken in following her
impulse to come here, and whether words could effect any thing.
"But Edith?" she said at length, and as if half to herself; "does not
her honesty rebuke you? Don't you feel unworthy of her?"
"Well, and if her severe virtue does repel me?" he asked, a hard look
coming into his face, "am I to blame for that also?"
"You are speaking of your wife!"
Public-domain text, read in full here on John Shaqi.
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