She walked towards the door, but he reached it first and laid his hand
upon the latch.
"You are going away," he said. "Who knows when we shall ever meet
again. At least remember that I condemn myself as sharply as you can."
"That is the degradation of it," was her retort, her eyes blazing at
him. "If you could plead ignorance, I could pity you."
"Edith is a saint," he went on, not heeding, "but her good is my evil.
I do not plead it as an excuse; I have and I want no excuse: but it is
true that temptation could come to me in no shape so insidious as
through her sincerity."
"Then you will be honest!" pleaded Helen.
"I do not say that. I think I shall go on as I am; but I have changed
my idea of my epitaph. It shall be only the word 'Pardon.'"
"Your old one was better," she retorted stingingly, "and better than
either would be a blank! Let me pass!"
XXXVII.
FAREWELL AT ONCE, FOR ONCE, FOR ALL AND EVER.
Richard II.; ii.--2.
The outward bound steamer was almost ready to sail, and all the bustle
attendant upon departure of an ocean craft eddied about three people
who stood in a half-sheltered nook upon the wharf. They were saying
little. Both Grant Herman and Ninitta kept their eyes fixed upon Helen,
while her glance was cast to the ground, save when she raised her head
in speaking.
The Italian from time to time took Helen's hand in hers and kissed it
fondly.
"I pray the Madonna for you every night," she whispered in her native
tongue, "that she will give you a safe voyage."
The sculptor watched all that went on about them, waiting with some
inward impatience for the moment when the duty of escorting Mrs.
Greyson on board would give him an opportunity of being a moment alone
with her.
"We shall miss you much," he said, feeling that any thing would be
better than the silence which hedged them in amid the noisy bustle of
the throng. "We shall not soon fill your place, shall we, Ninitta?"
He did not listen to the eager answer; his eyes were fixed upon Helen's
face, and for her alone he had ears.
"Yes," he said again with nervous platitude, when once more they had
lapsed into the silence he found it so hard to bear; "neither my wife
nor myself has any friend to take your place."
Some faint accent in the tone in which he referred to his three hours'
bride made the widow look up suddenly. To the question in her eyes his
glance gave no answer, and for the moment a feeling of despair overcame
her. Had she given him up only to the end that his life should be
miserable; had she forced him into a marriage whose bonds would gall
and chafe him with more deadly and festering wounds as time went on?
Public-domain text, read in full here on John Shaqi.
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