The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
On the right of the entrance, and nearest to the Nave, are two statues
from Wells Cathedral, noticeable as fine examples of Early English
sculpture, and the effigy of Bishop Northwold from Ely. Nearer the
façade is placed the remarkable effigy of Queen Philippa, the wife of
Edward III., from Westminster Abbey, belonging to the last half of the
14th century. Beyond this again, will be noticed the effigy from
Salisbury Cathedral, of Bishop Poer, who died in 1228, one of the
earliest monumental statues in England. In front of the façade of the
French Mediæval Court, will be found several pieces of Gothic sculpture
of the early period of the Pointed style, from Chartres Cathedral; on
the right of the entrance from the Nave are placed the busts of Henry
II. and Diana of Poictiers, Henry III., Bayard and Louis XII., and
nearer to the Nave will be seen the Virgin “de Trumeau,” from Notre
Dame, at Paris; and a fine picturesque bronze statue of a knight from
the monument of Maximilian, of Innspruck, in the Austrian Tyrol, a
remarkable work of art, executed by native artists in the early part of
the 16th century. Close to this is placed the fine bronze statue of
Albert of Bavaria, from the tomb of Lewis of Bavaria, at Munich,
remarkable as serving to illustrate the very rich and characteristic
costume of the close of the 16th century. Opposite to it is the very
fine St. George, by Donatello, from Florence, one of the master-pieces
of that celebrated sculptor, whilst another Innspruck statue occupies a
position nearer the Nave. Advancing onwards, still in front of the
Renaissance Court, we recognise amongst the busts, those of Francis I.,
Sully, and Henry IV. of France, Shakspeare, Machiavelli, Ben Jonson,
Cosmo de’ Medici, and Lord Bacon. The bronze statues on each side of the
path are from the Tartarughe fountain, at Rome, the extreme figure being
the celebrated Bacchus, by Michael Angelo. Amongst the works of Italian
art placed in front of the Italian Court, we remark the Bacchus by
Sansovino, from Florence, the Triton from the gardens of the Doria
palace, Genoa, the Tartarughe statues from Rome, and at the angle, in
front of the Italian vestibule, the beautiful statue of Mercury, by John
of Bologna, a _chef-d’œuvre_ of the 16th century school. Among the busts
will be remarked those of Raffaelle and Michael Angelo, Inigo Jones,
Mazarin, Richelieu, Charles I., and other celebrities of the Renaissance
period.
Public-domain text, read in full here on John Shaqi.
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