The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
The satire of these great writers contributed not a little to a
revolution in English gardening. Bridgeman seems to have been the first
to commence the wholesome work of destruction, and to introduce
landscape gardening; and it is said that he was instigated to his labour
by the very paper of Pope’s, in “The Guardian,” to which we have
alluded. But Kent, at a later period, banished the old grotesque and
ridiculous style, and established the new picturesque treatment. He laid
out Kensington Gardens, and probably Claremont. Wright and Brown were
also early artists in the new style, and deserve honourable mention for
their exertions in the right direction. The former displayed his skill
at Fonthill Abbey, the seat of Mr. Beckford; Brown was consulted at
Blenheim, where he constructed the earliest artificial lake in the
kingdom,--the work of a week. Nor must Shenstone, the poet, be
forgotten. His attempt, towards 1750, to establish the rights of nature
in his own ornamental farm at the Leasowes, places him fairly in the
front rank of our rural reformers. Mathematical precision and the yoke
of excessive art were thus cast off, and nature was allowed a larger
extent of liberty and life. She was no longer tasked to imitate forms
that detracted from her own beauty without giving grace to the
imitation; but she was questioned as to the garb which it chiefly
delighted her to wear, and answer being given, active steps were taken
to comply with her will. Then came Knight and Price to carry out the
goodly work of recovery and restoration. To them followed Mr. Humphrey
Repton, the accomplished scholar under whose eye the gardens of Cobham
Hall were planned, and under whose influence all the celebrated
landscape-gardens of his time were fashioned. And as the result of the
united labours of one and all, we have the irregularly-bounded pieces of
water which delight the English eye, the shrubberies, the noble groups
of trees, the winding walks, the gentle undulations, and pleasant
slopes,--all which combined give a peculiar charm to our island
landscapes, that is looked for in vain in fairer climates and on a more
extended soil.
Public-domain text, read in full here on John Shaqi.
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court — John Shaqi
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