The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
The great system of fountains in the grounds of the Crystal Palace,
though the most stupendous that the world has ever seen, is designed
with an unity which greatly enhances, or rather fully displays, its
unrivalled magnificence. The whole system is divided into two series,
the upper and the lower. The upper series, which consists of the six
basins adorning the long extent of the second terrace, with the great
circular fountain in the centre, and the smaller ones on either side of
it, in all, nine fountains, constitutes the display on ordinary
occasions. Beyond these, as we advance down the central path, are the
iron Water Temples, from which the water rushes down a series of twelve
cascades, extending for a distance of 600 feet, till it falls over the
stone arcade in the great fountain basins, forming a glittering cataract
120 feet broad, with a fall of thirty feet. The Water Temples with their
cascades and falls, and the two great fountains into the basins of which
they discharge, constitute the lower series, which is played only on
grand occasions; but all are part of one design, and each one ministers
to its completeness.
Unlike most similar works, sculpture has not been used to enhance or
obtain the effect desired. Under any circumstances, water, when thrown
high into the air, assumes a graceful and beautiful appearance; no
ungentle curves or distortions of form mar its expression of a natural
beauty, which, though it may be the roaring grandeur of a mighty stream,
or the gentle grace of the smallest jet, bears with it an unspeakable
charm. In the Crystal Palace Fountains the designs are carried out by
the water alone, and the sculptural ornamentation is confined to the
margins of the basins, and, down the sides of the cascades, to some
small ornamental bronze fountains of secondary importance.
The first six fountains of the upper series which ornament the Italian
Garden on the second terrace throw their highest jets to the height of
90 feet, the lower jets form graceful designs round the bases of these
columns of water, and in other parts of the basins. It is so arranged
that the waste water from these basins is again used for the lowest jets
of the fountains which lie between these and the Water Temples, a rapid
descent in the ground giving sufficient pressure for this purpose; the
same is the case with the water flowing from these again, as it is once
more used for the lower water designs in the great basins.
Public-domain text, read in full here on John Shaqi.
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