A lawyer and public officer; he was also a distinguished poet, and a musical composer of a high order. His most celebrated work is a Paraphrase of the first fifty Psalms, arranged for one, two, three, or four voices; it is remarkable for great tenderness, united with the religious feeling, and vehemence of style, which have obtained for the author from his fond countrymen the appellation of the Pindar and Michael Angelo of musicians. He also composed sonnets, madrigals, and dramatic pieces. [By Domenico Manera.] 164. GIAMBATISTA PIRANESI. _Engraver._ [Born at Rome, 1707. Died there, 1778. Aged 71.] An excellent and laborious artist. Has produced a great work in sixteen volumes upon the antiquities and curiosities of Rome. Has never been surpassed for his skill in representing architectural ruins and restorations. He also displays singular powers of invention, and his fancy subjects show consummate execution. He acquired great and widely extended fame during his life. [By Antonio d’Este.] 165. GIOVANNI PAISIELLO. _Musical Composer._ [Born at Tarento, in Italy, 1741. Died at Naples, 1816. Aged 75.] A dramatic composer of extraordinary fertility. His works remarkable for their number, rather than for their eminence. He was the son of a veterinary surgeon. In 1777, he came to St. Petersburgh, upon the invitation of Queen Catharine, and remained there, in great honour, during eight years. In 1802, he answered Napoleon’s summons to Paris, and composed the mass and other music for the coronation, in 1804. Shortly after this event, he retired to Naples, where, in consequence of his many political tergiversations, he fell into disgrace, and closed a brilliant career in neglect and chagrin. His character as a man is not pleasing. He was jealous, unscrupulous, mean, and cringing. [By Pietro Pierantoni.] 166. NICCOLO ZINGARELLI. _Musician._ [Born at Naples, 1752. Died 1837. Aged 85.] The author of several operas no longer performed. One, his most celebrated work, “Romeo and Juliet,” still represented in France and Germany, and rendered popular in England by Pasta’s personation of Romeo. The last of the Italian composers for the church. His oratorio of “The Destruction of Jerusalem,” a noble composition, written in the classical style of the old ecclesiastical school. During his later years he led the life of a recluse. 167. DOMENICO CIMAROSA. _Musical Composer._ [Born at Aversa, near Naples, 1755. Died at Venice, 1801. Aged 47.]