The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
[This Bust is by Alessandro d’Este, and was placed in the Protomoteca
at the expense of Canova. It corresponds in the chief characteristics
of the face with the portraits taken from the life, of which there are
several. In Florence Cathedral, near the tomb of Giotto, is an
authentic portrait. The one lately discovered on a wall in the palace
of the Podestà at Florence, is extremely interesting, as being a
youthful likeness by the hand of his friend Giotto. The monument to
Dante in S. Croce is the work of Stefano Ricci. It was erected in
1829, at the public expense.]
174. FRANCESCO PETRARCA. _Poet._
[Born in Tuscany, 1304. Died at Argua, near Padua, 1374. Aged 70.]
The crown around the brow of Petrarch has many gems. He is poet,
diplomatist, scholar, and restorer of ancient letters. To the world, he
is the great Italian sonnetteer. This extremely artificial metrical
scheme, which seems, however, singularly congenial to his native speech,
afforded him the temptation, in the means, to write incessant effusions
on one love, really or ideally entertained. He was an ecclesiastic under
a law of celibacy. Thus separated from the object of his presumed
affections, he allied his soul to hers in verse. His love-strains are
studies, without number, of the passion, in its endlessly varying moods
and moments--half of them wreaths laid at the feet of the living
Laura--half, strewings on her untimely tomb. The flowers, disclosed by
the rapidly advancing Spring of the language, breathe the freshness,
sweetness, and innocent grace of the season. Ever since, every son of
song in Italy strikes this lute of a few chords, but Petrarch remains
its Apollo.
[By Carlo Finelli.]
175. GIACOMO SANAZZARO. _Poet._
[Born at Naples, 1458. Died there, 1530. Aged 72.]
A devoted adherent of the House of Arragon, whom he followed in their
disastrous campaign in defence of the Church. During his travels he
published his poem of “Arcadia,” which gave a new phase to Italian
poetry. A great admirer of Virgil and Propertius.
[From his tomb in Santa Maria del Parto at Naples, by Girolamo Santa
Croce, a Neapolitan sculptor of the 15th century. His tomb is one of
the most beautiful monuments of the time; designed by Santa Croce, and
sculptured by Montorsoli. Two weeping angels lean over the bust which
bears the name ACTIUS SINCERUS, under which he published many of his
works. At the sides of the tomb are statues of Apollo and Minerva,
said to be antique, but now called David and Judith.]
176. LUIGI ARIOSTO. _Poet._
[Born at Reggio, in Italy, 1474. Died at Ferrara, 1533. Aged 59.]
Public-domain text, read in full here on John Shaqi.
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