The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
The Louvre, which in Paris corresponds to our British Museum, National
Gallery, and Hampton Court combined, has long been one of the world’s
great treasuries of history and art. Resting upon ancient walls, founded
certainly as far back as the 9th century--when it was a strong fortress
in the midst of a forest--the Louvre has been gradually changing its
form and appearance since the time of Philippe Auguste. In 1527, Francis
I., with the aid of the architect Pierre Lescot, entirely remodelled it,
and gave to it the character of splendour and vastness which has ever
since attached to this great national structure. All succeeding
kings--Charles, Henri, Louis, whatever the name--have done something to
uphold its magnificence. In addition to the other numberless works of
art contained in the Louvre there are some 300 antique portrait busts
and statues, and an immense collection of rare cameos and medals,
amongst which are many valuable portraits of antiquity, and about 200
statues and busts of great men of modern time, half of these being
representations of military men, with some admirals, and about 50
portraits of sculptors and painters.
The Palace of Versailles is entirely devoted to the illustration of the
glory of France. Here, in addition to many pictures, representing the
great military achievements of the French, there are saloons filled with
statues and busts of the kings, princes, marshals, and admirals, and
portraits of nearly every great man of the country from the time of
Clovis the First and Clotilde, a king and queen of the 5th century, down
to Louis Philippe of our own time. There are more than 600 statues,
busts and medallions, many of them fine works of art, and all possessing
the very highest interest. A considerable portion being duplicates of
works at the Louvre or Tuileries. In such an extensive series there are,
as may be supposed, many arbitrary portraits executed to complete a
series, but though not taken from the life, they have for the most part
been derived from trustworthy authority. There are also upwards of 600
memorial tablets in bronze, placed in the Gallery of Battles, inscribed
with the names of all officers killed or wounded in the service of the
country, beginning with Prince Robert le Fort, Comte d’Outre-Maine,
killed at the combat of Brissarthe, in 866, and ending with the heroes
of Waterloo.
The Historical Gallery at Versailles contains portrait busts and statues
by 146 different sculptors of France, commencing with Germain Pilon and
Jean Goujon, who flourished in the middle of the 16th century.
From all these great collections our Portrait Gallery has been enriched,
as the Catalogue will show.
Public-domain text, read in full here on John Shaqi.
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