The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
The visitor passing into the Tropical division now crosses the Transept,
immediately in front of the colossal sitting figures, which he will be
able to examine with more effect when he commences a tour through the
nave, which we propose that he shall shortly make. Passing these figures
then for a moment, he directs his attention to
[Illustration: Pillar from the arcade of the Court.]
THE ASSYRIAN COURT,[11]
which faces him. This Court is larger than any other appropriated to the
illustration of one phase of art. It is 120 feet long, 50 feet wide, and
has an elevation of 40 feet from the floor line. Its chief interest,
however, consists in the fact of its illustrating a style of art of
which no specimen has hitherto been presented in Europe, and which,
indeed, until the last few years, lay unknown even in the country where
its remains have been unexpectedly brought to light. It is little more
than ten years ago that M. Botta, the French Consul at Mossul, first
discovered the existence of sculptural remains of the old Assyrian
empire at Khorsabad: and since that time the palace, now known to have
been erected about the year 720 B.C. by Sargon, the successor of
Shalmaneser, has been mainly explored, as well as the palace of his son
Sennacherib at Koyunjik, and that of Esarhaddon and Sardanapalus, at
Nimroud, besides other older palaces in the last-named locality. In
addition to the explorations that have been made on these sites,
extensive excavations and examinations also within the last few years
have been made into the ruins of the palaces of Nebuchadnezzar at
Babylon, and of Darius and Xerxes at Susa.
[11] See “Handbook to the Nineveh Court,” by Austen Henry Layard.
It is from the immense mass of new materials, so suddenly revealed,
that Mr. James Fergusson, assisted by Mr. Layard, has erected the court
before which the visitor now stands--an architectural illustration
which, without pretending to be a literal copy of any one building, most
certainly represents generally the architecture of the extinct but once
mighty kingdoms of Mesopotamia, during the two centuries that elapsed
between the reign of Sennacherib and that of Xerxes, viz., from about
B.C. 700 to B.C. 500.
Public-domain text, read in full here on John Shaqi.
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