The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
The oldest form of architecture in these Eastern parts was probably that
which existed in Babylon: but the absence of stone in that country
reduced the inhabitants to the necessity of using bricks only, and for
the most part bricks burnt by the sun, though sometimes fire-burnt
brickwork is also found. The face of the walls so constructed was
ornamented with paintings, either on plaster or enamelled on the bricks,
whilst the constructive portions and roofs were of wood. All this
perishable material has of course disappeared, and nothing now remains
even of the Babylon built by Nebuchadnezzar but formless mounds of
brickwork. In the more northern kingdom of Assyria, the existence of
stone and marble secured a wainscoting of sculptured slabs for the
palace walls, whilst great winged bulls and giant figures, also in
stone, adorned the portals and façades. The pillars, however, which
supported the roofs, and the roofs themselves, were all of wood,
generally of cedar, and these having been destroyed by fire or by the
lapse of ages, nothing remains to tell of their actual size and form.
Yet we are not left entirely to conjecture in respect of them. Susa and
Persepolis in Persia--the followers and imitators of Nineveh--arose in
districts where stone was abundant, and we find that the structures in
these cities had not only stone pillars to support the roof, but also
stone jambs in the doorways, thus affording an unmistakeable clue to the
nature of such portions of building as are wanting to complete our
knowledge of the architecture of the Assyrian people.
As now laid bare to us, the Assyrian style of architecture differs
essentially from any other with which we have hitherto been made
acquainted. Its main characteristics are enormously thick mud-brick
walls, covered with painted bas-reliefs, and roofs supported internally
by slight but elegant wooden columns, ornamented with volutes (spiral
mouldings), and the elegant honeysuckle ornament which was afterwards
introduced through Ionia into Greece--this Assyrian style being,
according to some, the parent of the Ionic order, as the Egyptian was of
the Doric order, of Greece. The very greatest interest attaches to these
architectural remains, and to the records cut in enduring stone, which
they have handed down to us, inasmuch as they corroborate, in a most
remarkable manner, certain statements in the Bible connected with Jewish
History. There can be little doubt that the Assyrians and Jews sprang
from the same stock; and no one can fail to remark that the physiognomy
of the Assyrians, as pourtrayed in these sculptures, bears a strong
resemblance to the Israelitish visage. As far as we can judge from
descriptions, the architecture of ancient Jerusalem was almost identical
with that of Assyria.
[Illustration: Entrance to the Nineveh Court.]
Public-domain text, read in full here on John Shaqi.
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