The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
This Court has been designed by Mr. Tite, and the architect has
considered that the purpose to which the Court is applied might best be
expressed by showing some of the principal ornamental uses of iron in
architecture. With this intention, he has designed for the façade of the
court a restoration, in modern work, of the English ornamental iron
enclosures of the 17th century, which differed but slightly from those
prevailing at the same time in France in the style of Louis XIV. The
English, however, are generally richer in foliage, while the latter are
more fanciful in scroll-work. At the period referred to, the whole of
those enclosures were of wrought and hammered iron, cast-iron being at
that time little known; but in the enclosure before us, although it has
been executed on much the same principle as the old work, the ornaments
are cast, in order to secure greater durability, cast-iron not being so
easily destroyed as wrought iron, by the oxidation which proceeds with
such enormous rapidity in this country. The castings have been most
admirably executed, and so sharp and distinct were the outlines of the
patterns, that they required but little after-finishing. The pilasters
are of enamelled slate, excellent for their imitation of marble,
surmounted by iron capitals. Entering through the gates in the centre,
the visitor finds the interior of the court panelled in the style of the
same period, and decorated by Mr. Sang with emblematical paintings and
other appropriate ornamentation in encaustic.
[21] See “Exhibitors’ Descriptive Catalogue,” Part IV. of this book.
In this Court will be found specimens of plate, articles in nickel
silver, seal-presses, gilt toys, curious locks, and similar manufactured
goods of universal use, from the multifarious productions of the busy
town which gives its name to the Court. On leaving the court, we notice
some splendid specimens of bronze casting, and other works of artistic
metal manufacture, belonging to Messrs. Elkington & Co. Quitting this
department, we approach next in succession,
THE SHEFFIELD COURT.[22]
Public-domain text, read in full here on John Shaqi.
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