The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian CourtLatham, R. G. (Robert Gordon)
History
The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court
Latham, R. G. (Robert Gordon)
Crystal Palace (Sydenham, London, England)
the source from which the several migrating races have proceeded.
Within the Palace itself, we have been enabled to remark the works of
man, and the gradual development of his ideas, especially in Art,
leading to a variety of so-called “styles,” which answer in a measure to
the varied _species_ of Divinely created life. We have now an
opportunity of attentively considering the more marvellous and infinite
creations of the Deity in the organisation and development of that
greatest of all mysteries--life itself; and of obtaining a vivid idea of
those peculiar varieties of mankind, that have hitherto not fallen under
our personal observation. If the visitor should feel astonishment in
the presence of some of the phases of human existence here presented to
him, he may do well to bear in mind, that they are representations of
human beings endowed with immortal souls; to whose capabilities we may
not place a limit, and that it is not yet two thousand years since the
forefathers of the present European family tattooed their skins, and
lived in so savage a state, that late archæological researches induce us
to suspect they were not wholly free from one of the worst charges that
is laid to savage existence; viz. the practice of cannibalism.[24]
[24] Archæol. Journ., p. 207. Sept. 1853.
Entering upon the path immediately before him, the visitor will commence
the examination of the groups arranged on the western side of the nave.
Turning up the right-hand path, we find on the right a general
illustration of Australia. The men here represented are copied from
living natives of Cape York, North Australia, and strike us at once, by
their half-starved, lanky, and ill-proportioned bodies, curiously
tattooed; they may be looked upon as savages, hunters, and inhabitants
of the forest; they possess that excessive projection of the jaw, which
ethnologists make one of the distinguishing traits in the most degraded
forms of man. These figures were modelled from some living natives who
were brought to England in 1853, and who were kept for some weeks by the
Company on purpose that these portraits should be accurately rendered.
Amongst the animals will be noticed that most characteristic form, the
Kangaroo, of which there are several species, and the Opossum, or Fox
Phalangister, with a young one in its pouch. There are likewise
specimens of the Duck-billed Platypus, Cook’s Phalangister, a Flying
Opossum, an Emu, and a large rat called Hydromys. Some fine cases of
Australian birds stand in the Transept close by. Here the visitor will
find numerous plants, with which he is acquainted in conservatories; the
_Banksia_, the _Acacias_, and the different kinds of _Epacris_ and
_Eriostemon_, are amongst the most conspicuous. He will see also
specimens of three other kinds of _Araucaria_, the most elegant of which
is the Norfolk Island Pine.
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