Actresses -- Great Britain -- Biography; Oldfield, Anne, 1683-1730; Theater -- Great Britain -- History -- 18th century
"Thou best of actors here interr'd,
No more thy charming voice is heard,
This grave thy corse contains:
Thy better part, which us'd to move
Our admiration, and our Love,
Has fled its sad remains.
"Tho' there's no monumental brass,
Thy sacred relicks to encase,
Thou wondrous man of art!
A lover of the muse divine,
O! Elrington, shall be thy shrine,
And carve thee in his heart."
One of Elrington's friends and artistic associates happened to be
John Evans, a player possessed of talent, fatness, and indolence. As
adventures seem to be in order in this chapter, let us recall two
which occurred to this gentleman at a time when he was in high favour
with the Irish. The first episode, making a warlike prologue to the
second, had for its scene a tavern in the good city of Cork, where
Evans had been invited to sup by some officers stationed in the
neighbourhood. Jack responded gladly to the hospitable suggestion; the
gathering proved a great success, the wine was circulated generously,
and many toasts were offered. When the actor was called upon for a
sentiment, he proposed the health of his gracious sovereign, Anne,
whereat all in the company were pleased with the exception of one
disloyal redcoat. Whether the latter had within him the contrariness
which cometh with too liberal dalliance with the flowing bowl, or
whether he chanced to be a Jacobite, further deponent sayeth not, but
it is at least certain that the officer was not pleased at the honour
paid to the Queen whose uniform he was willing to wear. So Mr.
Malcontent leaves the room, and then sends up word to poor,
inoffensive Jack, that he will be delighted to see that worthy below
stairs; whereupon Jack quietly steals away and finds his would-be
antagonist lurking behind a half-opened door. The soldier makes a
lunge with his sword at the player, who succeeds in disarming the
coward, and there the matter apparently stops.
But the end was not yet. When Evans went to Dublin, he found that his
late challenger was circulating a lie, which made it appear that the
comedian had in somewise affronted the whole British Army. No sooner
did Jack put his face upon the stage than a great clamour arose, and
it was decreed by the bullies among the audience (of whom there are
ever a few in every house), that no play should be presented until the
culprit had publicly begged pardon for a sin which he never committed.
The play was "The Rival Queens," the part assigned to Evans that of
Alexander, but 'twas some time before this Alexander could be induced
to crave the forgiveness of the excitable Dublinites. Finally he
yielded to expediency, and, coming forward to the centre of the stage,
expressed his contrition. At this, a puppy in the pit cried out
"Kneel, you rascal!" and Evans, now thoroughly exasperated, tartly
answered: "No, you rascal! I'll kneel to none but God, and my Queen."
Then the performance began.[A]
Public-domain text, read in full here on John Shaqi.
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