Actresses -- Great Britain -- Biography; Oldfield, Anne, 1683-1730; Theater -- Great Britain -- History -- 18th century
[Footnote A: Booth told Cibber that he "had been for sometime too
frank a lover of the bottle; but having had the happiness to observe
into what contempt and distress Powel had plung'd himself by the same
vice, he was so struck with the terror of his example, that he fix'd
a resolution (which from that time to the end of his days he strictly
observed) of utterly reforming it." And Colley adds; "An uncommon act
of philosophy in a young man!"]
Strange, is it not, that the wife who could be so full of constancy,
and all the other virtues, previously lived a notoriously loose
existence? For it had been the fate of Santlow to stand continually in
the glare of that fierce light which beats upon the stage, and
never, perhaps, did she give the town more to talk about than by her
celebrated _rencontre_ with Captain Montague. The story affords a
glimpse of the free-and-easy manners which sometimes prevailed in
theatres, and will bear the telling, ere we bid farewell to its fair
heroine.
"About the year 1717," writes Cibber, "a young actress of a desirable
person (Santlow), sitting in an upper box at the Opera, a military
gentleman (Montague) thought this a proper opportunity to secure a
little conversation with her, the particulars of which were probably
no more worth repeating than it seems the Damoiselle then thought them
worth listening to; for, notwithstanding the fine things he said
to her, she rather chose to give the Musick the preference of her
attention. This indifference was so offensive to his high heart,
that he began to change the Tender into the Terrible, and, in short,
proceeded at last to treat her in a style too grossly insulting for
the meanest female ear to endur unresented. Upon which, being beaten
too far out of her discretion, she turn'd hastily upon him with an
angry look and a reply which seem'd to set his merit in so low a
regard, that he thought himself oblig'd in honour to take his time to
resent it.
"This was the full extent of her crime, which his glory delay'd no
longer to punish than 'till the next time she was to appear upon the
stage. There, in one of her best parts, wherein she drew a favourable
regard and approbation from the audience, he, dispensing with the
respect which some people think due to a polite assembly, began to
interrupt her performance with such loud and various notes of mockery,
as other young men of honour in the same place had sometimes made
themselves undauntedly merry with. Thus, deaf to all murmurs or
entreaties of those about him, he pursued his point, even to throwing
near her such trash as no person can be suppos'd to carry about him
unless to use on so particular an occasion.
Public-domain text, read in full here on John Shaqi.
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